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REAL LIFE
December
28, 2010
A wise
friend of mine once advised me that instead of making a list of New
Year’s resolutions, that it is better to list your accomplishments from
the past year.
So, here goes
(chronologically as best I can):
*
My family and I successfully worked through Dad’s stroke
(AKA “the event”)
* Performed a
reading with
Apothecary Theater Company
* Went to producers
for my first audition for Law and Order
* Two
films in which I performed, had their premieres as well as
successful festival
tours
* Performed in
Dark Luna’s 1st reading
* Successfully
taught Theater History at Rider University
* Designed
make-up for
Apothecary Theater Company’s 1st production
(my work
received mentions in several reviews)
* Performed in Dark
Luna’s the 24 event
*
Performed an original 1-Act play by David Magee
(award
winning screenwriter of Finding Neverland)
* Assisted the
direction of 2 plays (helping out on another)
* Performed in two
events at Abingdon Theater Company
* Successfully
taught at Rutgers Summer Acting Conservatory
* Performed in a
production of Romeo & Juliet in New Brunswick, NJ
* Performed in a
production of Speaking in Tongues at New York Theatre
Workshop
* Successfully
taught Theater Appreciation at Rider University
* Successfully
taught Stage Make-Up at Montclair State University
* Was invited back
to teach at both schools
* Was invited to
teach an Acting course at Montclair State
* Successfully
co-produced, and co-directed
Dark Luna’s Christmas event
* My
family and I successfully worked through Dad’s hip-replacement
(he had a rough year – but got through it, thank
you!)
Not bad,
not bad at all, thank you very much.
I am very
lucky, and immensely grateful.
Here’s to 2010 being a benchmark for 2011!
Happy New Year!
December
24, 2010
Christmas Eve…
Dark Luna had it’s 2nd Annual Christmas Gala. T’was a
success, I believe. We raised more money than any previous event! But
our net income is what matters, unfortunately. This was the first time
we actually paid for space, and being honest, we got hosed on it. Not
only did we not get what we negotiated (we were gipped on time in the
space, as well as tech time), but we were also extorted from the people
who “run” the cafe – of course they called it a “corking fee.”
A rose by any other name…
In addition, some genius scheduled a
party in the lobby while our show was up. The whole issue with the space
was kind of a nightmare from the word go.
DESPITE THAT – we put on a good show!
ALL who attended, enjoyed themselves. Proof positive – one of the
actors’ daughter (6 years old, I believe) attended, and she had a ball!
From the mouths of babes – the toughest audience.
While attendance was decent, it was not
what we need to survive. We are putting up good work and people need to
see it. Plain and simple! We have our first full-length production
slated for March. We just don’t have the $$ right now to put it up. It
will go up, mind you – it’ll be a scramble, but it WILL happen.
I completed by classes successfully.
Grades are in. All in all, a positive experience. Though, I did catch
one kid trying to cheat on the Theater Appreciation Final. I chose to
not pursue disciplinary action as his grade was punishment enough- D.
Though his paper was suspicious, too.
I’m lucky as both schools are having me
back next semester. AND, there is a strong possibility I’ll be picking
up another class in the spring…we’ll see. I’m kind of feeling like for
the first time – I’m making headway. This was a successful year on both
fronts: growth in Acting and Teaching.
I’m feeling like an adult in a way.
Family is good. As I write this, I am
in my childhood home, in the family room. I helped my brother yesterday
and for the past few days, I’ve been doing the dutiful son routine for
the parents. At this moment, the house is decorated, gifts are purchased
and both Mom and Dad are napping just a few feet away by the waning
light of dusk and the Christmas tree as classical Christmas carols fill
the room. I’ll be starting a fire in a little while. Later, “It’s a
Wonderful Life” will be watched. If we’re lucky, Dad will make it
through the first hour before underscoring the film with his snores
(much like he is now). I have much for which to be thankful.
Happy Holidays everyone….
December 1,
2010
Onward….
“Speaking in Tongues” closed. A
successful run it seems, houses were never less than half-full.
Impressive. Great cast, great people.
Finishing up the semester at both Rider
and Montclair – getting ready for finals. Can’t believe how the time
flies. Looking forward to doing it al again next semester.
I regret I haven’t seen much in the way
of shows. I’ve been busy, which is good. I just wish I felt like I was
making more progress. I know, I know!!! I remind myself to be grateful
for the opportunities that have come my way. And I am, truly.
I can’t help but feel like I could be
going out more. So? What am I going to do about it?
In the New Year, I’m starting in on the
seminars again. Just gotta be seen.
Speaking of which –
Dark Luna’s Xmas Gala is underway. Wes and I are taking the lead on
this one, and it’s looking to be a cool event:
We have
adapted the radio play, “Miracle on 34th Street”
and are putting it up on December 18th at the CSV Cultural
Center in the Lower East Side.
Silent
Auction
Reception
(great wine and food)
Great
theater
Great
Date-night, fun for the whole family, a complete evening.
The trick
is getting people there. But, again, I think the excitement of those
involved (it’s a great cast – funny!) will get the word out and people
will come.
It’s hard
building an audience.
Dad had his
hip-replacement surgery. All is well, physically.
A new
chapter on the home front.
October 6,
2010
Again, even I have to
acknowledge….things are OK
I just started rehearsing a new show,
“Speaking in Tongues,” by Andrew Bovell.
Cake Productions is putting this interesting piece up at
New York Theatre Workshop. Finally, I get to work with my friend and
colleague, Louis Wells – a talented young director who graduated from
Mason Gross when I first started there.
I’ll be playing a role not typical for
me, which is a welcome change as well as a challenge.
I also have been invited back to teach
at Rider U. next semester, which is totally cool - Theater History,
again. I’m very excited to improve upon my work last year and this
semester with Theater Appreciation.
And
Provided I don’t screw the pooch at
Montclair, it has been intimated that I would be teaching there
again….so things are moving forward on the teaching front, too!
I canNOT complain!
Dark
Luna is moving forward with Luna(tic)s Anonymous, our
upcoming fundraising event. And Wes and I are taking the lead on our
Christmas Gala – we got some cool ideas. All this is leading to our 1st
full production, written by
Wes. Everything going our way, it should be up in March of 2011!!!
Cool stuff.
September
21, 2010
I find myself needing to remind myself
of the good stuff.
Times are tough, but I have been doing
well…even I have to admit it.
So, then…
Why am I not satisfied?
Why do I feel stagnate?
Am I stagnating? Or is it I just being
hard on myself?
Had a whirlwind of a new job thrust
upon me…. I now teach Stage Make-Up at Montclair State University – huh?
It all happened in the span of a week…crazy.
Yea…and it is things like this that
force me to remind myself that I am doing quite well. I think of it this
way – In this past year, I have now taught at THREE Universities. Not
bad….not bad at all. Theater Appreciation at Rider seem to be going
well, as well. Thank god for Theater History last semester.
Working steadily in moving forward in
the acting department.
Dark Luna has events planned, and we’re keeping ourselves busy.
They’re a crazy bunch.
My new reel is up (still needs work,
but a marked improvement I believe), as is the new trailer for “Jason’s
Big Problem.”
Funny stuff.
August 25, 2010
CoLab’s production of “Romeo
and/y JulietA” has opened.
We
got a lovely review from Peter Filichia of the Star-Ledger.
Check it out!
Thank you sir!
It
was a very kind review, and it was nice to get a solid mention
(especially since I’m in the play the least of all mentioned – I’ll take
it!).
Getting ready for teaching again. A bit nervous, but feel much more
secure. In addition, there is a possibility that I’ll be teaching a
Stage Make-up class at another university, all of a sudden.
We’ll see.
Jilana went back to Canada. Sad. It’s good for her, and I want the best
for her. I miss her terribly. We now have the challenge to make this
work. I believe we can.
Oh,
check out the new trailer for
Jason’s Big Problem! Hilarious!!!!
August 2, 2010
Finished with RSAC. What a great experience. I had a terrific bunch of
students. So open, willing and generous with each other. Their final
class (friends and family invited) was an oddly moving experience:
saying goodbyes, watching students being filled with a justifiable sense
of pride, new friendships formed.
“In
God’s Hat,” produced by
Apothecary Theatre Co. has been a successful run. I designed the
make-up – and it’s gotten some nice mentions:
Backstage
NYTheatre.com
So,
that’s exciting….!
I’ve been rehearsing the role of Mercutio in
CoLab’s upcoming production of “Romeo and Juliet.” That goes up
mid-August. I was a replacement, so I’ve been catching up for past
weeks…we’ll see.
July 11, 2010
Wow!
What a crazy night. Last night Dark Luna, my theater company, pulled off
something I was not really expecting:
A 24 Hour Play Festival
This was an event wherein Friday night, a group of Playwrights,
Director, and Actors meet at a bar. People are randomly divided into
groups (1 playwright, 1 director, and several actors). The Playwright
then leaves to write a play.
Next morning, the director and actors meet and read the completed play,
rehearse throughout the day and PERFORM that play (offbook!) that
evening in front of a paying audience.
Fucking CaRazy!
While I was not able to see the other plays (there were 5), I heard
consistently that they were great. The play I was in, Ballet, by Mary
Laws, turned out to be this epic aria (25 pages Of dialogue AND
dance!!). The response was remarkable, as was the feat of putting it up
relatively flawless. I worked with some amazing talent, and had a
blast!! Can’t wait til we do it again.
Entering the final stretch of RSAC (The Rutgers Summer Acting
Conservatory). It’s been a great time, with great students. Very
intense. I don’t want to let them down. BUT, I do feel that my skill as
a teacher, along with my confidence has grown significantly. I like
progress, forward motion.
Now, on to Mercutio!!!.....
June 3, 2010
Long time, I know…sorry.
A lot has happened since my last posting:
I successfully completed my Theater History class, and all things
considered, I believe it went well. I just got back my student evals,
and they were all positive. The class was daunting and I was scared
every week; however, I know I have gained so much by teaching it. In
fact, I probably learned more than they did. I’ll be teaching Theater
Appreciation in the Fall Semester, so I feel pretty solid for that.
Jason’s Big Problem had a successful run at the Connecticut Film
Festival. Next week, we’re off to the Seattle True Independent Film
Festival, and in late July – the film comes to NY!!! Keep an eye out for
notices here, Twitter and Facebook.
I’ve started taking an Acting class again – to keep myself sharp and
exercised.
AND
I also started an Improv class at The Upright Citizen’s Brigade! It’s
very challenging. Fun, but challenging.
I got a Commercial Agent – so I’m back out in that market again.
Auditioning, callbacks - Which is great!
Dark Luna is keeping me busy. We did a reading of The Brothers Dellapina,
by Sean Christopher Lewis. Responses were mixed, but I feel it was a
successful event. Great food and wine-decent turnout. Next month we’re
putting up a 24-Hour Play Fundraiser. Working toward a full production
by the end of the year.
Hmm…what else?
Oh, I’m in a new relationship. Lovin that. Cool story, too! Will write
more on that later. Right now, things are awesome!
Guess that’s it for now.
March 29, 2010
Spring hath Sprung!
Had a lovely couple of
weeks…opportunities and potential abound.
I had one of the best
career-experiences I’ve had in a long time. I was fortunate enough to
perform in an original 1-Act, The Designated Hitter, written by
David Magee, and directed by Richard Aven. These are two wonderful guys
from Michigan. You might recognize David as he is an Oscar and Golden
Globe nominee for “Finding Neverland.”
What an experience! Not only was the
material absolutely wonderful and elegant, but we all also got along
quite swimmingly. My feet are firmly planted on the ground here, but I
do believe (and hope) that we will be working together again…hopefully
soon. We all want to…that much was made clear.
Theater History is going well. I think
I’M learning more than my students. While I’m not the best teacher of
the topic, I do feel the students are getting their money’s worth…I’m
adequate, but learning and getting better. I’ve been asked to teach
Theater Appreciation next semester. I said “Yes,” of course. This is all
good stuff! Building up a nice
CV. Right now, I feel I have 2 paths availing themselves to me
simultaneously. I’m going to walk both while I’m able and diverge when
is absolutely necessary.
We are moving forward with
Dark Luna! It’s really kinda cool. Our website is up, and we’re
making progress on our next event. AND hopefully, we’ll have our first
full-on production up-on-it’s-feet by the mid-summer. There are some
growing pains, but thankfully, at our core, are some hard workers who
are driven to make this work. We’ll see….
It’s funny, but I started this entry
about a week ago, while still in the NY area, but am finishing it in PA;
I come home on most weekends to help out the family. I mentioned
earlier, a while back, my father had a stroke in the beginning of 2010.
He is well, and you wouldn’t know that anything had happened. But, in
fact, it did. Since “the event,” I have been coming home whenever I can
to help out, and just “be there.” I’m happy to do it, and thus far, it’s
been no great sacrifice. But what I marvel at, what brings a smile to my
face is seeing my parents delight and/or satisfaction of the assistance
I’m able to provide. I do not mean this egotistically. I am not
professing to be doing all that much – because I’m not. But apparently,
it is a great deal to them, and I guess, that’s all that really matters.
My time at home reminds me how lucky I really am. They are not only my
parents, but also my friends. I also help out my brother, whether it be
at the shop, or some task for his family – what beautiful kids they all
are! My brother is one of the “richest men in town!” I just wish he knew
it…
February
28, 2010
Back in LA…
Yep, therefore I must be at “The Pig.”
It’s beginning to feel like a ritual. Whenever I’m here, I think I can
only write here at my favorite coffee-shop. Arrived to gorgeous
weather. Flew out just as the east was getting nailed, yet again with
another shit-ton of snow. Literally just missed it. I arrived at Newark
Airport and the board shone red with “CANCELLED” notes on 95% of the
flights. Somehow mine wasn’t. Not complaining.
“JPB” (Jason’s Big Problem) is
premiering this week. I’ve been pretty good at NOT thinking about it too
much…still, the whole thing makes me a bit nervous.
Will people like it?
Will people come?
Will anyone care?
Am I any good?
Blah, blah, blah…you know, the BS we
put ourselves through.
I’ve seen the final cut, and it’s
REALLY GREAT! I cannot believe all the work that has been put into this
project. Mind-boggling. I’m proud of it, yet still my insecurities creep
in. See above.
Then, on the other hand, during the
opening event of the festival we talked with a prominent industry guy
who works for a major distributing house (no names to protect the
innocent), and he was VERY excited to see it. He was real psyched to
know that we made a “high-concept comedy.” So that felt good.
Furthermore, it was cool to have that kind of time (we spoke for
45minutes) with that prominent an industry person (we checked on ImDb,
he’s for real). We’ll see.
As always, been meeting up with old
friends and familiar faces…GOD I miss them. It’s been wonderful.
Naturally, “When are you coming back to LA??” is uttered EVERYTIME I see
someone else. It’s nice, actually.
During my time here, I’ve been diligent
in keeping prepare for my Theater-History class. It’s weird to work on
it here in LA.
Tuesday night is the premiere. We have
a red-carpet-my 1st.
Tune in….
February 4,
2010
Been
meeting with some old and new advisor/mentors. Took my agent out for
drinks, and the message is the same:
Keep doing what you’re doing.
I fear that my window
of opportunity might be closing?
The response to that
is:
It hasn’t opened yet.
That is to say, I’m
still growing into “my type.” That mid-30’s thing…so, it’s about the
strength to keep it up.
So, I’ll keep doing
what I’m doing: auditioning, producing, participating in readings, being
readers for significant theaters in the area, meeting people, etc.
On another note - I
started teaching Theater History. WHAT???
Yes, you read
correctly. I am teaching Theater History (from 17th
century-present). It’s exciting and daunting. A TON of material. I’ve
been working on it for months now…In fact, last night was the first
“real class.” We covered French-NeoClassic Theater. It felt like it went
well. I like the students. They seem engaged, they participate in
discussion, and I think they might be enjoying the class.
If you put a gun to my
head a year ago, and demanded me to imagine myself teaching Theater
History – I wouldn’t be able to do it. I cannot believe I am doing
this!! But, I get the feeling, it’s going Ok…we’ll see. Basically, the
trick is to keep ahead by at least a week.
I’m trying to keep
ahead by a month. OCD?
...perhaps
January 11, 2010
A wise friend of mine had
suggested to me some time ago, that instead of laying on the Bullshit
Resolution list – I should create a different list:
A list
of things for which I am most grateful.
So here goes: (CLICHÉ ALERT –
there may be some – just lettin’ ya know)
My family – their love and
support sometimes staggers me. They believe in what I’m doing sometimes
more than me, it seems. (as I write this, my father lays in the hospital
recovering from a major episode. I am so lucky that he is my father. I
love him so much, and am humbled by his generosity and support. I don’t
know what I’d do without him.)
My friends – I’m talking my
CLOSE friends. They are few, but mighty. I only wish I could live closer
to most of them…
My home – I have heat, a clean, decent apartment. I
really can’t complain.
Though I really wish to own
soon.
My health – Since Grad school,
I’ve been in the best shape of my life. A discipline, a gift from
someone whom I will always cherish.
My career – while I constantly
strive for more, I cannot deny the opportunities I’ve had thus far. I
appreciate every one of them, and look forward to the many more to come.
My teaching – I feel myself
growing as a teacher, and I am touched by how students seem to get
excited about class. I am so grateful to have been given the opportunity
to grow in this capacity.
I could go on, but I am heading back to PA to be with
my Dad.
December 20, 2009
Neither snow, nor
rain, nor heat, nor gloom of night stays Dark Luna from the swift
completion of their appointed rounds!
I think we can call “Yuletide Shorts”
- a success! Despite the last minute PR effort we had, and a BLIZZARD –
we got people in the door, and presented a pretty lovely evening, I
think. Pics – coming soon on Facebook, the website….
While it was not a huge event, I was
proud of what we accomplished. For the most part, the work we presented
was solid, done well, and presented professionally.
For the most part…
We, as a new company, learned a great
deal: to assert ourselves more for what we want, be true to our vision,
blah, blah, blah… I won’t elaborate, but those involved know what I’m
talking about.
Now, we must figure out where to go
from here.
Our biggest challenge? Space.
Feels like we have a solid momentum
from this….it’s up to us to keep it going.
December
11, 2009
Moving forward on “Yuletide Shorts” : A
co-production between Mile Square Theatre and Dark Luna – 2 theater
companies I am lucky enough to be a part of.
For such a not-huge event, there is a
great deal to do. But it’s nice to work on something, and I know it’s
going to be great!
Both “Forged” and “Jason’s Big Problem”
are moving forward in the festival front. Look for updates in the
“What’s New!” section.
I can’t believe the semester is almost
over! I will miss this class. They are a great group of students and
never before have I had such a positive experience with an entire
class!
Preparing for Theater History next
semester is exciting and daunting. Though I am working steadily and I
feel it’s going to be just fine. Lots of research, and I’m making
headway organizing each class with PowerPoint presentations.
Auditions have gotten more frequent,
which feels great!
Next step – Booking!
November 7,
2009
S
L
O
W
Not much Acting stuff going on. Makes
one doubt.
But then you have an audition and a
positive response – it’s amazing how validated you feel. Not in the
needy way, mind you. Just an affirmation that you are doing what you are
meant to be doing. It just feels good, to affect someone – even if it is
in the form of a hearty laugh during a monologue. I’ll take it. But I
need more… soon.
Teaching is wonderful. This is easily
my best class…ever! Each class I’ve had with them, they have risen to
the task. If they don’t “get” something, they work to understand. It’s
fantastic. Makes me feel like I’m contributing, in some small way, to
their lives, their education.
Preparing every day to teach Theater
history next semester. A HUGE undertaking.
“Jason’s Big Problem” is moving
forward. Trailer and website up soon. Will provide links…promise.
I find myself thinking a great deal
about where to go from here. Again, things are slow. VERY slow. I don’t
know how much longer I can go at this…much doubt, many questions,
evaluating my self-worth.
Lonely.
October 14,
2009
I feel like I’m actually a teacher!
I was privileged to have “one of those
classes” last night….GOD! it feels great!!!
This is not about me, but it is an
amazing thing to witness an entire class “GET IT.”
This is such a great group of students:
open, willing, and able. More importantly, a trust is building within
the class, as well as towards me, it feels.
There are a few students who are
already providing a fine example of the work, trust and confidence that
is necessary to grow as actors, and perhaps as people.
Maybe I am also learning to be a better
teacher who can direct and push students harder, while maintaining a
positive, safe environment. But, this is not about me. I am thrilled to
have been a part of the great work last night.
I only hope it continues…
I was fortunate enough to audition for
one of my dream roles last week. It was fun to work the sides, hard, and
present it.
Now, I must let it go.
October 8, 2009
Of course, New York and Los Angeles
could be considered “regions.”
October 7,
2009
I LOVE my class. Had another great one
last night!
We made some wonderful progress as
several students allowed themselves to be free enough to living fully in
their imaginary circumstances. It is so much more fun when working with
students who are WILLING to make the leap of faith to “just do it.”
Great spirits, and solid students. My best class at Rider, yet. I don’t
want to let them down.
I must acknowledge that I, too, am
probably learning to be a better teacher. Not GREAT, but better. I’m
allowing myself to be a little tougher, yet I hope I am still enabling a
safe, supportive environment in which the students are able to take
risks.
I have been contemplating the direction
my life lately; where my path has been leading me. I have been making
steady progress on both fronts: Acting & Teaching.
Acting: New Agent, Shot 3 films and
several TV shows just this past year! Great Stuff! One of the films is a
major part and will be seen by many throughout the festival circuit (2
films actually, though the other is only a supporting role)
Teaching: Been teaching steadily for 5
years now at 3 different universities. AND I’ve been asked back at Rider
to teach Theater History. I accepted. Not only am I tremendously
excited, but I also am a bit intimidated. It’s A LOT of prep work.
Virtually ALL lecture. But this is a class that after I do once…it’ll be
in my repertoire and I can use again, and tweek for the future. Rider
has been kind to me, and I am tremendously grateful. Thanks Mir! I also
appreciate the trust they bestow when I’m asked to help with their
productions. Don’t want to disappoint.
Which leads me to my thoughts. Where am
I going?
There is absolutely nothing wrong with
landing some teaching position (2-3 classes a semester), while acting at
some solid regional theater. What’s the matter with that? It’s never
been about fame for me…I just wanna work! I’m never happier than when
I’m working. Plus, I admit, it feels good to be on a campus. I enjoy the
environment of learning.
Dare to dream!
September
27, 2009
A new semester at Rider. It’s exciting,
and I feel like I’m already into a nice groove. Moreover, this group of
students (Acting I) are open and receptive. I believe one of the reasons
this may work out nicely (my first real class earlier this week went
swimmingly), is because none of them are actors. I’m not disrespecting
my fellow artists, but non-actors have no, or fewer
pre-conceptions…which is nice.
Also have started working on a new Blog
entitled, “Working in and around the Business of Acting.” I’ll put out a
link after I’ve added a few more posts. I also have some other ideas
that should be seeing the light of day in the near future…will let you
know when things are posted…I’m excited. Creating a bigger presence,
online, and hopefully, within the biz itself.
Things are moving forward with Dark
Luna Theater Company – shot a couple of videos which should be online
soon. Also, I just viewed a rough cut of “Jason’s Big Problem.” Wow!
Even my tendency towards skepticism was overridden….very funny! And I’m
shocked to say, I am pleased with my work. Now the balance of fantasy
and reality are getting even more blurred. The potential this project
has is tremendous…now we wait and see. Sundance received it…we should
know by early December if it made it in.
Ready to sink my teeth in something
else…I hate not working…
September
1, 2009
So, I’ve been back from LA for a few
weeks now...head officially screwed up about moving there. So many good
friends there, my BEST friends, brighter environment, etc. My head knows
NYC is where I belong, but the heart pulls West again..AAAAGGGGHHH! Is
nothing easy?
Anyway, so today, walking back from
Columbia U., and I bump into 3 people I knew in LA!!!!
Coincidence? Is there some hidden
message I am to receive?....I don’t know.
Weird.
“Jason’s Big Problem” is wrapped.
Shooting went very well for me. The producers were THRILLED with my
work. Which is fantastic. I am anxious to see the completed project, and
am curious to see what kind of legs it grows in the coming months. A lot
of quality work: front and back of the lens.
I recently participated in a Chia
Messina project, UGLY PORTRAITS. Check it out her
blog!
Was fun!
Otherwise, plodding along…I start my 3rd
semester at Rider U. in a couple of weeks. Looking forward to that.
Auditioning, weighing options, keeping my head above water – barely, you
know the story.
Same ole, same ole.
Grateful for what I’ve had, and what I
have.
July 11, 2009
Having much to think about…
While I am fully aware that any move back to Los Angeles is still AT
LEAST a year, probably two, away…I find myself thinking about it much
more seriously these past days. It doesn’t help when EVERYONE asks me,
“When are you coming back?” with huge smiles on their face. That’s
facetious…it actually feels really good to have so many people want you
back. Fact is, I also miss them terribly. It has been wonderful seeing
old friends and catching up…I am so lucky to know so many great people.
Plus, I’ve always maintained that LA is SO much fun…when you’re working.
Have to stay focused. The East coast is still where I should be.
Barring, of course, any unforeseen opportunities.
July 7, 2009
Exhausted…. What a week!
95% of my stuff is in the can. I have
to say, I feel pretty good about the work I put forth. The producers,
and the writer-director could not have been more pleased. Despite
the exhaustive long hours, and the pace at which we found ourselves
working, most of us were having a tremendous amount of fun.
Feels good to have the performance so
well received, especially after such hard work.
I’ll say it again…it feels like there’s
something special about this project. I feel it will yield benefits for
a lot of people involved.
I also met some awesome people!! The
director/writer, the D.P., the crew, cast, and of course, the producers
– all awesome people.
I look forward to seeing how this
project moves forward. What type of exposure this gives, or if this will
become a spring-board for anyone involved.
While I am excited about the
possibilities….I must not count on anything.
June 27, 2009
The Bourgeois Pig… My favorite LA
café. It’s good to be back!
I had my first day of shooting
yesterday, and I felt good about how it went. We got behind schedule,
but that is to be expected.
While I have much work to do, I am
grateful for the prep work I did back in NY. Here’s a shout out to my
friend, and coach, Wes! Thank you buddy! Our work together has provided
me some solid footing. I’m working from a grounded, truthful place,
while at the same time, hitting the comic points. I feel good. Must stay
focused and ready. I have A LOT of work to do, yet.
Met up with some AADA friends last
night at Trader Vic’s…was interesting – a “reunion” of sorts; 10 years!
Jesus. Not a lot of people showed, but those who were there, it was nice
to see again, and catch up. Most people seemed to have left town, AND
the pursuit. Pretty cool to see where some people’s paths have taken
them. How could I NOT go? Since I was in town, the timing seemed to
suggest that I SHOULD go.
It’s weird in a way to be back. Hard
not to think how different my life was when I was here last; 2 years
ago. Though I find myself liking LA now that I have a little more
perspective. I could live here, again…when the time is right…if the time
gets right.
Onward and Upward!
June 17, 2009
I fly out to LA in a week to shoot a
film. Very exciting, and a bit nerve-racking. It’s a significant part,
and terrific opportunity. I need to be on my game, and NOT act.
I’ve been working on the script every day, but at the same time, I’m
trying not to over-saturate myself with it.
“Guiding Light” was fun. I had a pretty
funny scene; we had to shoot it a few times because people were breaking
and cracking up. A nice problem…especially since it wasn’t me who was
breaking.
It’s going to be great to be back in
LA. I’m looking forward to seeing as many old friends as I can.
May 24, 2009
The semester ended, and I must admit, my students, on the whole, were a
pleasure. I feel like some of them actually learned something. I wish
them well. I have been asked to return next semester, if they are able
to fill another class. I hope to continue teaching at Rider, as I have
learned so much regarding teaching.
The Acting career is progressing well.
In addition to finding a new agent, I have two films coming up. One
shoots next week: a fun horror production, “Experiment 7,” with this
pretty crazy and cool production company, SouthPaw Productions.
The other is in Los Angeles. I don’t want to say too much about it right
now as many details are still being ironed out….but all looks very good.
It’s a major part and a very funny script.
I’m anxious for the momentum I seem to have to keep going. I’m working
hard, and I feel I’m starting to see its dividends.
May 2, 2009
Well, the times, they are a-changin’
Lot’ a forward motion, it seems. ..and
I’m psyched!
I just moved to a new agency, which is
tremendously exciting. It is wonderful to be in a room
full of people who “get” who and what you are, and are excited to work
with and promote you. This is a feeling I have not had since I’ve been
here quite frankly. Not to be talked down to, but to be lifted up. Not
to be treated as an intrusion, but to be taken in as a member of a
team.
I am elated!
I am pursuing my Yoga certification
(though that effort has been briefly postponed), which has already
enhanced my teaching. I look forward to completing that process. For a
while I was practicing fairly often – felt awesome. Though as of late,
my practice has slipped a bit. Not to worry.
As I mentioned, teaching is going
better. This semester’s class, while is not without its hurdles, is
going so much smoother. They are challenging, but much more open, and I
THINK…they might be learning something. I still question my abilities
as a teacher:
Am I too demanding?
Are my points clear?
Are my expectations realistic?
In addition, the topic of language
(i.e. profanity) has come up on more than one occasion. I have strong
opinions about that fact. While my mouth can be loose in class, I NEVER
direct it to anyone personally. Something I make clear at the beginning
of the semester. Any and ALL CRITICISM is ABOUT THE WORK, ONLY. Nothing
is personal. But with regard to language, I do not discourage profanity
because I believe it is ESSENTIAL that students feel free to express
themselves by any means necessary – in a safe way, of course. How can
expression, and honoring one’s impulse be promoted if they are worried
about getting in trouble for speaking some type of profanity? My
solution – just say the shit! Get it out! Don’t censor yourself!
FUCK IT!
Anyway, maybe I need to make the point
more clear at the top of the semester.
All-in-all, it’s a good patch…solid,
forward motion.
February 1, 2009
It’s the economy, stupid!
Man, is it rough out there these days. So much has dried up, and it is
easy to be discouraged. I’ve been doing what I can to cut expenses,
though I’m sure there is much more that I can, that I should do. I
haven’t eaten out at a restaurant in ages (doing a lot more cooking at
home – upside: my personal menu has expanded quite a bit, getting braver
with my culinary experiments – yum!), haven’t gone out much for that
matter. While I know that is helping my financial health, I fear my
social life might be suffering a bit. No, it is…period.
I’m trying to open myself to different social circles, as well as open
myself up to new employment possibilities. For instance, I begin Yoga
Teacher Certification next month. I am very excited, not only will I be
qualified to teach (more income potential), but I will also be
introduced to a new and different populous, something I truly need. But,
most importantly, when I do it, Yoga, I mean…it just feels good. There
is a spiritual level that I am interested in learning more about.
I am also looking to get involved in more community-based projects. I am
feeling a little too self-absorbed and selfish these days, especially
when I am often too consumed by – the career and all the subsequent
Bullshit with all that. To be frank, I’m getting tired of it: the
constant struggle, the surrounding fellow actors cackling about this
almost gotten part, or that blown audition, or “did you hear about…”
AAAAGGGHHH! so much that is not important. And I get caught up in it
too…I’m not above it. It’s just I’m so disappointed in myself when I do.
There is so much more important things going on outside ourselves. MY
GOD! The history we all have witnessed in the last few weeks. The state
of the world, and what we must do to climb out of it, etc. With that,
with this huge situation we all face, I feel a massive transition, a
gigantic change is in store for all of us. As frightening as it may be,
I am choosing to view it all as opportunity. What kind? Or how?
I don’t know.
Weird, as I have been doing more Yoga, I find myself releasing my clutch
to it all. Whatever happens? happens…when it happens (of course, it
never seems to happen when you want it to...it happens in it’s time).
What does “happens” even mean?
With regards to “the career”…I am looking to expand myself to other
markets as well. I have taken meetings with Agents in the Philadelphia
area…why limit myself?
I started an Acting class with an old teacher, mostly to flex my muscles
as it were, to stimulate myself, keep the skills honed.
I also booked a film!: my 2nd SAG Feature in 6 months! (I still count
Ang Lee’s, “Taking Woodstock.” – the man picked me for God’s Sake…I
still enjoy that fact). Forward motion…progress…AWESOME! It is an Indie
Film entitled, “Forged.” I play a not-so-nice Foster-Dad whose primary
motivation for taking in kids is the gov’t $$. My agent and I are happy,
as we seem to be closing in on how I am the most marketable: seedy,
sleazy sorts who are guilty of something. Type casting?
Of course, it affirms the only solid rule in this career: if you want
work, plan something else. What I mean is, my shoot directly conflicts
with the beginning of my Yoga Certification Program…so that’s great!
It’ll be fun negotiating that little conflict. It’ll work out.
I started my 2nd semester at Rider last week. I am excited and so
grateful! The fact they asked me back was a tremendous compliment.
Especially since last semester was a constant battle of the wills,
especially with my “Advanced” class. Never in my (albeit brief)
experience had I face such resistance. While I had 3 to 4 solid
students, for which I was grateful, over half the class received grades
of “C” or less. We’re not talking talent issues here…we’re talking, JUST
DOING THE WORK! One student didn’t even hand in his final paper!!!
Several didn’t READ THE PLAY from which their final scenes were
assigned! I was floored. This seemed to be a refusal to comprehend the
amount and kind of work that is absolutely required in this craft. I
guess that is why my own experience in this quest far too easily
beleaguers me: I too often see half-assed work being accepted, or
rewarded. BUT…enough of that.
I also cannot ignore the strong possibility that I failed them in some
way. Perhaps my expectations were unrealistic? Or inappropriate? I was
talking to a close friend/teaching mentor about my experience-we both
acknowledged that, yes…”You can lead a horse to water, but you can’t
make him drink.”
BUT
I can get better at making them thirsty. I need to learn how to do that
better.
This semester’s class however, seems to be a refreshing change thus far.
I sense openness within them, and an eagerness to learn. Perhaps, I also
have learned a thing or two during my tenure there…?
As I write this, I see and acknowledge the progress I have made and seem
to continue to make. Why can’t I find comfort that I am doing what I
can? Is it perhaps because I can do more? When does persistence and
patience become unrealistic and disillusioned?
Finally, I remind myself EVERY DAY all of which I have to be grateful
for:
*My tremendously supportive family – it is amazing how much they believe
in what I am working towards.
*My friends. I would be truly alone without them – their faith and
support affirms my belief in myself. (it sucks they’re so far away)
*My education
*My ever-growing abilities
*My health (I am still in the best condition of my life – while there is
still
heart-ache, I cannot deny the life-long gift that June has given me)
*My experience – I’ve been around. I’ve done some things. I won’t
undermine that.
I could go on…but I won’t.
“Without Struggle, There can be no Progress.” – Frederick Douglass
November 5,
2008
Rarely does an historic event so
significant come around…to live through one is incredible, especially
one so monumental. I am proud to be its witness.
Never in my life have I been so filled
with…yes, I will say it…
Hope.
It feels good to know that
sometimes…SOMETIMES…we can get it right.

Our first step. The first of many…
I hope.
November 3,
2008
This evening I drove through the woody
regions along the Hudson River, north of New York City. The smell of
autumn is in the air, the cool night breeze is blowing through the
oppressive trees that hang overhead barely obstruct the crescent moon
that hangs in the misty night.
Why am I here?
I just finished a chamber theater
reading of Washington Irving’s “The Legend of Sleepy Hollow.” This piece
was produced by the up and coming, Off-World Theatre Company in
Piermont, NY. Piermont is across the river from Tarrytown, AKA Sleepy
Hollow, you could see it from where we were…so it was kind of cool to
tell this story in the area of its origin. Moreover this was a great
group of people and we all worked together very well. I was very lucky
to be a part f it, and I am grateful to have crossed paths with everyone
involved. It is projects like this that keep me excited to be in this
profession.
Otherwise…plugging along.
I find myself being the guy that
“those things” are happening to…
For instance, several weeks ago, I
auditioned for a part, along with a former classmate. He ended up
getting the part, and naturally I was happy for him, while secretly
envious at the same time - the actor’s constant inner struggle. Anyway,
so after negotiating through that path of disappointment, I got a call
from my agent informing me that the same show was offering me another
part, flat out – no audition!
So, there it is, living proof…just
because you didn’t get the part, doesn’t mean you didn’t have a good
audition. We hear this shit all the time, but until it happens to
you…you never really believe it.
I love these types of victories,
affirmations, etc.
Teaching is going well. I feel as if I
may be gaining the trust of the upper level students. They have seen the
benefits of the type of work I am expecting and they seem excited about
it. Trust and respect has be growing and it feels good to witness their
progress. There are still daily battles, but I believe I am also
learning how to be a better teacher. It was pretty frustrating for a
while, but a friend/mentor of mine has helped me put things in
perspective…not taking things personally has been my major challenge.
Tis my nature…when I commit to something, I put my heart in it. It is
dangerous when you expect the same from others….expectation often leads
to disappointment.
Anyways, I think the school is happy,
as they have offered me a position next semester.
I accepted.
Progress.
September
30, 2008
It has been a while, I know...just
didn’t feel like writing much.
The summer was long and slow....
I spent a lot of time working at home,
helping my family, and working on the properties my brother and I own
back in West Chester, PA.
Eric and I are moving forward on the
play we are looking to produce. We have a director for the project and
are currently looking for space. Details to follow as more elements
become secure.
Auditioning, Auditioning, auditioning.
Friends of mine who have been out longer are starting to have more
things happen, so that is not only wonderful for them, but also
encouraging for me. As was discussed in my recent meeting with my agent:
it takes 1 to 3 years to “get out there.” While I’ve had a great 1st
year, I can’t settle.
I recently had “one of those stories”
happen to me. I was recently cast in a feature film by an “A-List”
director, which was F***ING COOL....only to find out weeks later that
the scene was cut. SUCKS!!!!!!
But
I have to hold on to the positives. In
the end...I did get the part, I caught the eye of a major director, and
am getting noticed. Many good things there that I must not dismiss.
As you may have noticed, I also had
some new headshots taken. My agents’ and I are VERY happy with how they
turned out.
I also started teaching at Rider
University. This is a wonderful opportunity and I’m excited to be
working there. While it is an adjunct position, there is hope that I
will be hired on a permanent basis. We’ll see.
For now, I am looking to do my job
well, and, more importantly, teach my students to behave and think like
actors.
Today is my father’s birthday. Happy
Birthday Dad!
May 13, 2008
I had good couple of days.
I made my Daytime TV debut last week
with “All My Children.” A lot of fun, and a very cool thing…what is
particularly hilarious is how some of our family friends WENT NUTS about
it…the thing is…I only had 1 LINE! Kinda funny to me. Not to make light
of it all…it felt good to get the part.
I was updating my resume to include
some additions, as well as some reformatting and, my god…I’ve had a
really good year! Yes, I always wish for more, I work for more, BUT… I
have to be grateful for the work I’ve done thus far and take none of it
for granted.
I had an interesting evening last
week as well; I attended the BA Acting Program’s (Rutger’s University)
Final Presentation, wherein several of my former students performed.
This class is the culmination of the BA Acting Program’s entire
curriculum, led by my good friend Stacie Lents – who wrote a play for
them!!! It was pretty amazing all the way around: great material,
wonderful performances. Watching them perform was such a moving
experience as I was beaming with pride; witnessing their growth, seeing
how far they’ve come. And, I must say, there were some tremendous
performances as well; very brave and courageous work. One of my former
students, Michael, had a moment that was absolutely inspiring – he had
an improv moment that was just awesome. I may be gushing a bit, only
because my improv skills are pretty lame…he just blew me away! Nicole,
Maddie, Lena, Corynn, David and Kayce made me so proud. Whiiel I am
singling out my former students, there was some other strong work among
the others. In addition, to observe how touched they were that I came…
and I do not mean this egotistically…this is not about me here, but I
was tremendously flattered by their response to my attendance. We shared
an experience together, and that experience clearly had meaning for us
all. For Them: to tangibly feel the results of their hard work over the
past 2-3 years. For Me: to know I played some small part in their
growth.
This is all new to me, and it feels
really good. This is part of something I have been working out for
myself for some time now: How to Live an Artistic Life.
I have been looking back on things
lately, and I am able to see how my life, my choices, myself have
changed since I began this pursuit in art, in acting.
I look/see things differently, more
completely?... maybe? I don’t know. I find myself making choices I
wouldn’t have made a few years ago. For instance, I just quit my job. I
wasn’t happy there, so I quit. I found myself not liking the way things
were going in that part of my life…so I changed it. I don’t have another
job lined up at the moment, but something will happen. I feel it. In
fact, as soon as I gave my notice, other opportunities started
presenting themselves: i.e. I am more actively pursuing my
Teaching/Coaching career - coincidentally, I have an interview for a
teaching position in NJ…so, you know…who knows?
This is new for me. Yes, of course,
I’m nervous, but in the same vein, I believe things will work out.
April
20, 2008
My life, these days, has been made up
of work, exercise, job hunting and readings…lots and lots of readings.
Some have been pretty cool, other REALLY BAD. Did a fun one the other
day at the
Neighborhood Playhouse, it was a fundraising event and I was in a
very fun piece, “On the Williamsburg Bridge,” by Alvin Levenstein. IT
was quite a compliment to be complimented by him afterwards. Can’t
really do better than that. My director, was Eric Michael Gillett
(played my father in W:AC). The man has an incredible sense for comedy…I
had a lot of fun working with him. The evening went well. Then, another,
well…let’s just say…the person who asked me to do this other reading,
greeted me with a heartfelt, “I’m sorry.” Wow! Was this thing a turd…lesson
learned? Just because one CAN write something…doesn’t mean that they
SHOULD!!!!
Currently, I am in, what Dr. Seuss
calls, “The Waiting Place.”
You can get so confused
That you’ll start in to race
Down long wiggled roads at a
break-necking pace
And grind on for miles across
weirdish wild space,
Headed, I fear, toward a most
useless place.
The Waiting
Place…
…for people just waiting
Waiting for a train to go
Or a bus to come, or a plane to
go
Or the mail to come, or the rain
to go
Or the phone to ring, or the snow
to snow
Or waiting round for a Yes or No
Or waiting for their hair to
grow.
Everyone is just waiting.
Waiting for the fish to bite
Or waiting for wind to fly a kite
Or waiting around for Friday
night
Or waiting, perhaps, for their
Uncle Jake
Or a pot to boil, or a Better
Break
Or a string of pearls, or a pair
of pants
Or a wig with curls, or another
chance.
Everyone is just waiting.
I
take issue with one line here. “…a most useless place.” Yes, it CAN be a
useless place, but I don’t believe IT IS a useless place. I believe one
MAKES IT as useless place. We all find ourselves here at some point in
our lives, more than once. It is how we face our own “Waiting Place”
that defines us, I believe.
NO!
That’s not for You!
Somehow you’ll escape
All that waiting and
staying.
You’ll find the bright
places
Where the Boom Bands are
playing.
That being said, I am submitting my
CV to places where I would like to teach, I am exploring plays that I
could co-produce and star in, as well as short films. I am writing, or
at least working on writing…That shit is HARD. I am exploring job
options, business opportunities, etc. We must work to make our
opportunities.
This is where I am, now.
March 31, 2008
Things have settled down a bit. My
life has been comprised of work, auditions (had some great ones –even if
I don’t “get the part,” I made a great contact…always important!), and
readings (which is great…I am grateful for the outlet). In addition, I
making sure to follow-up with the industry as far as who came to the
shows, who I’ve met, etc. I never lose track of that stuff…my lists are
growing.
My lease is up at the end of May and
I’m not sure if I will stay in my studio, or try to find something
better.
I find it is important during these
“lull” times to keep myself stimulated; whether it be with reading,
classes (I should find one – that fits my schedule), or other means. For
instance, I have been hammering away at an idea for a book I have had
for a while. I am not writer, but I am aware of the writer’s first rule:
just write. So I do. It is hard, and I have tremendous respect for
anyone who can do it. Speaking of which…I had the pleasure of going back
to Rutgers (for the 1st time) to see one of the graduating
playwright’s thesis play, “puree’” by Demetra Kareman. It was wonderful!
I am so proud of her, to know he, and I truly hope we can work together
some time. Next week is, “Right Place, Right Time,” by Lia Romeo. She is
a wonderful graduating playwright as well. I can’t wait.
It was nice to go back and visit
(while I wouldn’t want to live there!). See old friends, offer an
encouraging word; especially to the 2’s right now…God! What a bitch of a
year that is, year 2…I see it on their faces and am glad that it’s not
me…while admittedly, I do miss it, and I told them as much. Why? Because
of the constant work, the immersion in what I love doing. But I would
not want to go back. I only appreciate it more, now.
Talking to them all…they asking me
questions about the work I’ve done, hearing about the shows…legitimately
proud of what I have done thus far. It feels good, yet I keep it in
check. It doesn’t get to my head. I remain sure to never lose my
feeling of gratitude…taking nothing for granted.
Auditioning…working towards that next
project.
March 13,
2008
“Warning: Adult Content” has closed.
I have to say, that that is just fine. This was an extremely challenging
project, I learned quite a bit. The overwhelmingly positive thing? I met
some tremendous people, all of whom I am grateful to have in my life. I
know I sound like a parrot, but the cast was a joy. In the end, I found
myself working as hard as I did, for them. We were in this together, and
we held each other up.
To all of you I say, “Thank you.”
I am currently rehearsing a 1-Act in
this year’s 7th-Inning Stretch,
for Mile Square Theatre in Hoboken, NJ. I am actually reprising my
role as Zender in Dano Madden’s, “The Save.” It is a lovely piece
with a lot of heart in it. I am flattered to have been asked to do it
again, and I am enjoying the opportunity to dig deeper into the flawed,
broken, reborn character that is Zender. Furthermore, I have the
opportunity to work with Gaye-Taylor Upchurch, our director. She has an
eloquent way about her, with the patience of a saint. I trust her
guidance on this project. What is really wonderful, I don’t feel I am
repeating much of what I did before…this will be a fresh new look, while
still being true to the playwright’s voice.
I hope I can work with her again,
truly.
I’ve been auditioning, which is nice.
Had a terrific audition for a Promo….did awesome…had the room
dying…didn’t get it. Go figure. That is the way it is. Have to be happy
that the CD’s were pleased and will call me in again when the
opportunity arises. Making good impressions, building a solid
reputation…and there it is.
February
25, 2008
Well, we “Warning: Adult Content” has
opened. I still don’t know what to make of it. The responses, by
audiences, have been mixed it seems: some houses are loud and active,
some are quiet and subdued. Feedback from my trusted friends have been
positive. Again, I have to acknowledge, the cast is phenomenal; I am
proud to be working with them.
This play has been tremendously
challenging. The intimacy that must be portrayed by Julie and myself, as
a married couple who set up an online Adult website, is pretty intense.
In fact, the final scene, which gets fairly raw, becomes about two
actors who are just dealing with themselves. Just two people, half-naked
(she more than me) just connecting with each other. While it is a pretty
cool thing, it’s also very vulnerable as well as scary. I am avoiding
looking at any reviews until we are finished. I can’t have any of that
cloud my mind while I have a few weeks left in the run.
Younger audiences, one can feel, get
uncomfortable with the material...comments, shuffling and inappropriate
laughing can be heard during those shows. It is easy to get angry. But
I remind myself that very likely, they are reacting to their own
discomfort. In addition, it is evident that younger audience are losing
the concept of what live theater really is. I know I’m repeating myself,
but the MTv world has lost the concept that live theater is,
well....LIVE. It is not some inanimate screen that won’t be affected by
the talking, texting or conversing that audiences today are prone to do.
There is a disconnect in the knowledge that the actors receive that
energy, whether positive or not, and are greatly affected by it.
Let me get off my soap-box....
I will be heading back to LA soon as
my best-friend, Hamish, is looking to move forward on this short film
we’ve been trying to do for some time (I have a little co-producer hat
on this one, in addition to being the lead). So this will happen either
in the next few weeks, or in the summer. It is happening, just a matter
of when. He’s done a lot of preliminary work already. Cool stuff.
I’m plugging along.
January
25, 2008
Yea, yea, yea…I know it’s been a
while.
I’ve been working to keep working.
Keep busy. Distract. Since the holidays my life has been pretty crazy. I
booked a commercial, an industrial, booked a lead in a show, become a
landlord…lotsa stuff.
I am fully aware that I cannot
complain about the career, especially during a major writer’s strike. My
new show is an original piece by playwright, Joseph Gallo; the very
playwright who wrote the Baseball Play that June was in, that was apart
of
Miles Square Theatre’s Annual Seventh Inning Stretch last year (I
did it 3 years go), …small world or what! Furthermore, I got called in
for this because Chris O’Connor, an MFA Director who graduated my first
year at Mason Gross, gave them my name. I love it when things like that
happen!
June and I remain apart, and it feels
like that is the way it is to be. We met once, about a month ago and had
a long conversation. Not only was it was very interesting, but also
enlightening. It is amazing how two people can recall the same event in
two VERY DIFFERENT ways. Since then we have spoken a few times. No real
progress has been made; at least it doesn’t feel like we have. I feel
like this is the way it is supposed to be for us now. Maybe we just need
time with ourselves for a while, to figure our own “shit” out. Maybe it
is really over? I go back and forth between knowing and not knowing. I
still think about her every day, and carry a secret wish that it isn’t
over. STILL. Shortly after that is my quiet knowledge that it is. I
still get confused. Needless to say, the idea of dating is so not
appealing right now, I wonder if I’ll ever snap out of this.
Anyway, the show…it is entitled, “Warning:
Adult Content.” It is about a married couple that lives in Los
Angeles and start up an Adult Website. But what makes the play really
interesting, for me, is not only does it push the envelope with the
content at times, but the play also addresses some interesting points on
how sex is viewed in today’s society. We see Rick’s (my) journey in
telling his (my) friends and family, and their reaction to his (my) new
life.
I am thrilled to have something to
work on, be challenged by, to keep me going. It is a courageous play
with a truly solid cast. I know I’m in a good situation
when it is who feels like the weakest link. I’m excited to be in this
project.
Risky material…challenging
circumstances…and a lot of trust.
It feels good. I am so grateful.
December 5,
2007
My life has become a
series of firsts. For instance, it is now almost two months since I woke
up to my first morning without June. The night before was worse as I
went to bed for the first time without her. When “The Runner Stumbles”
opened, and I was not able to share it with her, that was a first.
Subsequently, when it closed, she was not there to tell me that it will
be OK, and what I am feeling is natural and will pass. Granted, I do
KNOW all this, but it feels better when someone else is there to walk
you through the low points. When I got home the day she cleared her
stuff out, that was the first time my home did not have her presence.
And now, it has completely lost her smell, for the first time.
I see couples walking, hand-in-hand, and I think of her, of us…what we
used to be. I fantasize that maybe we still can reconcile this rift
between us, but there is something deep within me that knows that that
is not to be.
The holidays do not make it easier…another first. I am battling pretty
severe depression. My job prevents me from slipping totally into
lethargy. I don’t go out, socializing is an effort. I go home when I can
to help my family, that helps…but I need to be with my contemporaries.
Everything is an effort.
I am digging deep to find the endurance to continue pursuing this dream
of mine. I realize, being just out of school, that I must have continued
patience. Although I feel my life has been full of patience -
waiting/working for that thing/goal that I wish/hope to attain.
Of course, with the Writer’s Strike, there is nothing going on. Some
theater, yes…but still not a lot. I am taking seminars now at The
Network, but because there is nothing to be cast….things are kind of
tepid. I am however still doing them so as to introduce myself to the
industry.
I find myself dealing with the same old questions:
“Who am I?”
“What am I?”
“What do I sell?”
“Where’s my niche?”
Blah, blah, blah…
Next week I will be taking some more pictures with Chia, hoping to get a
more solid “character shot” that will be “the one.” I have some good
pics already (I went with Chia the last round of pics, and I really like
her), but Gary, my agent, wants something a little more off-beat. I have
a beard now…so we’ll see I guess.
2007 has been full of high highs, and low lows. I am anxious for this
year to end. I am particularly anxious to get past New Year’s, as it
will be the one-year anniversary of my failed engagement.
I have to remind myself of my accomplishments and not be so hard on
myself.
Time to start anew.
October
25, 2007
We
are TECHing “The Runner Stumbles” and it’s pretty cool. It feels good to
be a part of a solid production, with a solid theatre company, with some
very reputable stage and screen actors. Furthermore, I am grateful to be
able to distract myself from my own personal strife.
Getting used to a life without June is very difficult. She was (is?) a
big part of my life and I am still very reluctant to fully let her go.
As I write this on my laptop, which I brought to the theater, what do I
find on this thing? Her pictures from her summer at the Guthrie. That
kinda sucked. She is so beautiful…when I looked at them again, they
still took my breath away.
I
miss my family. I wish I could go home, but I can’t…Thanksgiving will be
when I can go home; and only the day at that. They have been so
supportive of me, even more-so than before. They have circled the wagons
around me sort-to-speak. That is nice, but I do not wish for things to
become a “me v. her” thing, my feelings for her are still very strong. I
still want to protect her.
While my business prevents me from going home and taking time off, I am
thankful that I have much to do….much to distract me…much to keep me
from thinking too much...life’s little blessings.
October 15, 2007
This
is a hard one. I’ve been dealt a blow I hoped I’d never face.
June and I have ended not only our engagement, but also our
relationship. It was just a week ago that we broke up. Apparently, there
were some core issues that just could not be surmounted. I thought we
had, actually. So when they resurfaced (before graduation, when
“real-life” began to creep in), I thought (hoped) we could work through
them. I guess we couldn’t
I
have been going through the gamut of the emotions: grief, despair,
loneliness, and anger. It’s kind of interesting, I feel as if I have
been going through the Seven Stages of Death…with the exception of
Denial. Although perhaps, the denial phase occurred over the last few
months, when I first began to sense something was not right?). Now
however, there is no avoiding the hash fact that June is now out of my
life…at this time, denial just isn’t an option.
What was particularly devastating was when I came home a few days later
(last Wednesday)…she had moved all her stuff out. I have never, NEVER
felt more alone in my life. My home felt so empty and solitary I
couldn’t stand it. What is worse, during my whole time back in the East
Coast thus far, she was (is?) my dearest and closest friend. With the
loss of that relationship, the likes of which I never had before, comes
much loneliness.
Thankfully, I do have work to keep me busy, though unfulfilling. And I
do have the show, which feeds me much more, despite the brevity of my
scenes. These distractions enable to keep going.
I
will not go into the details of the “why.” That is all too personal.
Furthermore, I will not breach her privacy, nor will I disparage her and
her beliefs. None of us are perfect, least of all me. Because of the
love that still remains for her, all of the anger, pain and betrayal
that I feel, I must keep for myself. What I share is my hurt, my sorrow
and my sadness.
I
can’t help but remember all that she has given me. How much my life has
changed just because she was in it. She has changed virtually EVERY
aspect of my life: my perspective on things, my patience with others, my
diet, my change in my sense of spirituality for God’s sakes! Every
moment that I live now has her imprint on it somehow, whether I am
talking to a friend about the events of the past week, or doing
something that I used to do with her, for her, or something I wanted to
do for her, or something she did for me…a sound, and saying, her smell.
Everything comes back to her. I was ready to share the rest of my life
with her, for better or worse, sickness and in health.
Of
course, it wasn’t all bliss; no relationship is. But I believed we could
have worked through our differences, compromise, grow together.
There is much I cannot write, should not write, as it is all too
personal.
I
miss here terribly, and I now have to learn to live without her. I don’t
want to, but I have no choice. I cannot deny the love I still, and will
have for her.
Despite my pain, sorrow and anger, and as cliché as it may sound, I wish
her all the happiness in the world.
September
22, 2007
I got a gig. A milestone of sorts. My
first New York credit for which I auditioned. And I believe, technically
this will be an Off-Broadway credit (or Off-Off, I’m not sure of the
distinction, yet).
Anyway, it is the play, The Runner
Stumbles by Milan Stitt. Produced by The Actors Company Theatre (TACT),
and directed by Scott Alan Evans, the Artistic Executive Director of the
Company. This is a very good thing, a nice credit. Needless to say, the
agents are happy. First read is tomorrow.
Things with work are going…smoothly? I
think? Perhaps the word I should use is “better.” While I’m getting a
firmer grasp on my primary responsibilities, I still need to avail
myself to all the miscellaneous stuff to a greater extent, mostly to do
with accounting things. I hate accounting.
But it’s a job; a job that frees me to
audition, as well as be in shows. Big perks these days.
September
11, 2007
I was walking home from the PATH
Train tonight after work. It had rained all day, and the clouds were
still traveling across the sky. Beyond the buildings past my apartment,
I could see the two beams of light that serve as an annual memorial of
9/11.
I lived in Los Angeles when the attack
occurred, and have been in School the years since I returned to the East
Coast. This is the first time I have been a first-hand witness of site,
as I take the train to the World Trade Center stop, often.
Watching these beams of light pierce
endlessly up into the sky is a beautiful, sad and tragic sight.
I cannot adequately describe what I
see, and how I feel.
This is the first time I have seen
the lights in person.

It all still is overwhelming.
September
4, 2007
I start my new job. I am Production
Coordinator at
The Network.
I am nervous as I have a lot to do
and there is much I am still not sure of. Plus, this is the first office
job I’ve had in 10 years! Despite my uncertainty, I have much to be
psyched about:
I am not hauling bags of dirt up
high-rises.
I am not working in the
Food/Beverage biz.
I will not
have to pack a change of clothes in a backpack and carry them
throughout the city, and subsequently bath in some
public restroom before I put them on.
My Workshop at
EST went OK…not my best work, but it was a “work in progress.”
I am so psyched to have finished my 2nd
project there. Worked with some established Broadway actors.
It’s weird…classes started at my old
alma mater. Now is when it is really hitting me that I am done school.
Appropriate I start my new job the day classes at Mason Gross commence.
I have several auditions coming up;
one of which is for the
Shakespeare Theatre Company. While I am keeping my feet firmly
planted on the ground, I am very excited to audition for them.
Naturally, there is a mild fantasy I have about working there…
What’s particularly cool…they called
me from Showcase!
I will be getting coaching from my
former Alexander Teacher, Greg Seel, so I am as prepared as I can be.
We shall see.
August 14,
2007
“Medicine Show” is up and running.
After a rough start (our Dress Rehearsal was our Opening), we seem to
have found a groove. Our review was very nice as well, especially to
Keith Longo (my awesome deputy! He’s fantastic!) and myself.
NYTheatre.com
was just lovely about the show. Friends of mine who have seen it all had
the same issue I had with the part of the Sheriff…not enough!
Of course, everyone loves the
band! Those Lonesome Prairie Boys!
I
also have to give out props to a cast-mate: Ryan O’Nan. He not only is
performing in our show, but he also wrote and is starring in another
show, Animals. Wow! What an amazing show! I was so impressed. The
writing blew me away; so funny and clever and smart. I have to admit, I
have a new-found respect (I did anyway, but now more-so) for Ryan. And
I cannot forget Erin Mortensen and Michael Hirstreet (all BFA’07 grads
from Mason Gross)…fantastic performances all the way around! I get moved
when I see stuff like that. I really do. I so admire and envy the art of
writing…I wish I had that talent. Congratulations Ryan!
This
Thursday I start a workshop of a new play at
Ensemble Studio Theater. I am very excited about working there
again. (I did a reading there a couple of weeks ago. One of my favorite
actors–-James Rebhorn was there—so cool!) I hope this project is part of
a nice trend…EST is a very reputable off-Broadway Theater.
I’ve been auditioning steadily; slow
lately, but considering the time of year, that’s allright…been still
steady. I also have been meeting more Casting people by keeping up with
seminars around the city at
The Network, as well as
The Actor’s Connection
As far as the “real life” stuff?
Well…still figuring things out. I’m looking into some options. I just
registered with the
Actor’s Work Fund, which is a great organization. It is a support
organization for Artists. Specifically for me, they offer free career
counseling, networking seminars, as well as some skills-training. With
regards to the career counseling, they understand the artist life of
auditioning, therefore help you find a job/career that will not
interfere with one’s passion and primary goal.
I am very excited about this. Plus, I
am looking to pursue some Graphic Arts skills, and Web Design. I have
some experience with it already, plus it’s something I know I enjoy. I
also am looking to intern somewhere; a theater, or a casting office
perhaps? The thing is, at this point in my life, I am allowing myself to
take the time to forge a life that I WANT. I cannot do the restaurant
thing, nor the heavy labor thing anymore. I am working to not have to do
that.
I am working to give myself
permission to leave myself be for a while. I put tremendous pressure on
myself to be this perfect, put-together thing and it is OK if I’m not
for a while.
I recently finished a mediocre book
with a decent message, The Way of the Peaceful Warrior. The part
that spoke to me the most was the point that one need not work to
be happy…one may just be happy. In other words, even when things
aren’t going the way you might want them to…Ok, fine…one still can
choose to be happy. Period. It’s that simple…just be happy. It kind
of has “The Secret” kind of thing, without seeming as cultish.
Anyway, so, I am relaxed in my
present state, and doing my best to allow myself to be happy. To quote
the prolific Bobby McFerrin, “Don’t worry, Be happy.”
August 3,
2007
Things have been kinda crazy lately.
But good.
Working the Landscaping gig,
rehearsing “The Medicine Show,” Finishing my ESL certification,
auditioning, job searching…you name it.
While things are still a bit
unsettled, I feel like I’m slowly getting my bearings. I’ve been putting
out a lot of feelers for jobs; focusing on flexible, “temp” type work:
“Temping,” Tutoring (hence my TESOL/TEFL certification), internet-based
data entry…who knows. All I know is that I am fighting tooth-and-nail
the idea of restaurant/bar work (I’ll do it, but only if I have to), and
I’d rather not landscape anymore.
While the landscaping is fine, I find
it increasingly difficult to do that job while auditioning. You see,
I’d be working, and if I had an audition, I’d have to pack a whole set
of clothes, and bathe in some public restroom. If I absolutely have to,
I’ll do it…again…I just don’t want to. I’m trying to hold out to carve
out a life I want. You know? Supplement my life while pursuing my dream.
Which comes to that
part…of course, the Acting. I’m in a really solid show, “The Medicine
Show.” ( check out the link in “What’s New!”) I am really lucky to be a
part of it. The Band…ooh…the band, The Lonesome Prairie Boys are
gonna upstage us all (here’s their
pod-cast )
They are
a great bunch of people, the band. Amazing musicians and just great
guys…a lot of fun. A solid cast, great story, and writer and director. I
actually feel like I’m a part of something special.
I’ve also been auditioning a
respectable amount. More importantly, I feel I’m becoming a little bit
known out there. My feedback, thus far, has been solid, and I feel it is
only a matter of time before things start happening for me. When? Well,
there’s the real question, you know? We’ll just have to see.
But all is well, even I have to admit
that.
I am so grateful for what I have, and
the possibilities that lay before me.
July 4,
2007
I’m learning to celebrate the little
things. To be grateful for what I have and have accomplished.
Yesterday started off kind of
monotonous. My landscaping job was tedious at first as we were picking
leaves and pine needles out of rocks…fun, right? But then, when we
actually started planting stuff…things felt much better. I realize I
thrive in progress and when results are achieved. For instance, after a
morning of planting, you end up with a beautiful garden.
Right now (on Independence Day), I am
staring out my window, watching the fireworks…really cool. Never was
able to do that before. Simple…and lovely. Listening to Aaron Copeland
(one of my favorite composers). Like my birthday a couple of weeks ago:
June and I spent the day together, went to the zoo, then out to dinner.
Lovely. I could not, and would not have asked for anything more.
I had a good class, yesterday. The
students made some very good progress and I feel like I was able to
clearly communicate with them. Sometimes, I fear I speak too much at
times, and without clarity and/or substance. But regardless, things
went well. They seemed excited about learning and that makes me feel
good. I am excited about tomorrow.
I start my ESL Certification soon. I
am rehearsing “The Medicine Show.” I am interviewing. I can’t wait til
the auditioning really starts…I have a good feeling as the feedback I
received from an audition I had a bit ago was really positive. I feel
like I’ll be getting attention.
Time will tell…
July 3, 2007
My 1st month back in the
“Real World” has been a period of adjustment that, I fear, will last a
least a good year.
I thrive in structure.
There’s a news flash! I knew this already, but right now that fact is
apparent to me as the nose on my face.
My goal during the past month has been
to provide myself with a modicum of stability: Securing a job,
re-establishing a workout routine, auditioning, workshops, etc. I am
literally starting over again, and I find it not only difficult,
but also quite arduous. I am battling within myself an ominous sense of
futility, as well as depression. Coming out of a program in which I
succeeded and was given praise, the Real World is, seemingly, a harsh
slap in the face.
Of course I am fully aware that most
of this is in my head. The fact is I haven’t really started yet. The
summer is very slow, most of the TV shows are now just starting to cast,
if not will be in the next month. And theaters have already cast their
summer/early fall productions, so all those have been missed…I’m in
another waiting place.
Waiting…
I am sick of waiting. I want to work.
I want to work so bad I can taste it. What is worse, is the knowledge
that I CAN WORK. I can do this stuff. I have to yield to someone else’s
opinion that I am right for whatever job I’m up for. I hate that, but it
is an unfortunate factor of this life. I work to remove all other
options from their minds. I must leave them with no other decision BUT
to hire me.
Of course, the parts I’ll will be in
serious contention for are likely to NOT be Leads, or the “really meaty”
parts I’ve been given in school. And that’s OK. I am fully aware that
that is how it goes.
Furthermore, the fact is, I have so
much to be grateful for:
ü
I got an agent for God’s sakes…and a
good one at that! (Something that didn’t happen to everyone after
Showcase) I am one of the lucky ones.
ü
I have a job. Two Jobs, actually, and
one of them is teaching! The other, landscaping. OK it might not be
fulfilling to me. I may not spring up every morning to go to it. But,
regardless… I have a job!
ü
I am working to obtain more lucrative,
flexible work as I am to be certified to teach English as a Second
Language. That should make me more desirable as a tutor as well.
ü
I AM IN A SHOW, for God’s sakes! “The
Medicine Show” which is not only being directed by Kevin Kittle, but
also a part of this years NYCFringefest. That’s a pretty big deal.
ü
I have tremendous love and support
from my June! Man, I’ve put her through the ringer…and she’s been
great. I don’t know if I could’ve put up with me.
ü
I have a solid support system
(Granted, most of them are in Los Angeles---but what the hell! I have
them)
ü
My family – even when I need to just
go home (which has been pretty often lately) I love being with them,
and I know they love having me. Though I know they feel frustrated as
they do not know how to help me…how to “make it better.”
The thing is, most of this crap is all
inside my head, my own doing; my fears manifesting themselves in this
melee of doubt and uncertainty. I cannot live in this as these fears and
doubts may come to fruition by my own hand. My task is to continue to
channel this anxious energy into something productive and progressive,
into creating a life I want to lead. I must force these feelings to work
for me rather than they paralyzing me into inaction.
I must admit, for the first time I am
asking myself the hard questions:
How long can I do this?
How much longer should I try?
Is this what I am supposed to do
with my life? In this capacity?
The fact is, I am reaching a point in
my life where I must begin to think more long-term. I have to really
consider what the future holds for me, and what (how much) I can really
afford to sacrifice anymore. I don’t speak of “giving up” as much as…
Living responsibly?
I’ve been working too hard for too
long to give up now. BUT…
In a year, I must take a hard look at
what progress has been made and honestly evaluate things, and go from
there. That is all I can do right now.
As Abraham Lincoln wrote (and I have stated before),
“I will work and get ready, and
perchance my chance will come.”
I will not sit and wait for “my
chance.” I must make it happen.
Although the other side of that coin
is a possibility I do not like to acknowledge, much less speak –
What if my chance doesn’t
come?
My challenge is to focus on what MAY
BE, rather than what I may not get; what I possess, rather than not.
Progression not Regression.
YEAR 3
June 10, 2007
The end is now the beginning.
I have completed my Master’s Degree at
Mason Gross School of the Arts, Rutgers University. My life, as I knew
it for the past three years is over. As that life in which I grew and
prospered ends, I enter the beginning of, quite literally, the rest of
my life.
That’s a bit to ponder, huh?
Our New York Showcase went very well
(relatively). That is to say, for having not the greatest space,
performing on Mother’s Day weekend, and having a moderate turnout at
best, we (Rutgers) stood out as the most solid of Showcases. The
majority of us (myself included) did well. In fact, I now have an agent.
It was official as of Thursday, June 7. I am very excited. In fact,
here’s how small a world this industry is: My new agent, used to be the
agent of an old friend and mentor of mine (from Los Angeles), Robertson
Dean. Through Rob’s advice, I decided to sign with Gary, and it feels
right. He has a solid reputation for working hard for his clients, and,
quite frankly, that is what I need. Needless to say, he and his
colleague, Lynne Jebens, are as excited as I am.
Plus, I have a solid lead into some
Voice-Over work. Been working with a prominent V/O Agent in NYC; and
with some luck, I’ll be signing with him soon as I’ve already been
submitted for work by him.
Then, two days after showcase, we
graduated. How’s that for a swift kick in the ass?! I now have the
document that declares me a MASTER of FINE ARTS. WOW!
Still trying to figure what exactly
that document qualifies me to do...?
Immediately after that, I began my
most favorite chore in the world – I moved. I now live in Jersey City, 2
PATH stops out of NYC. Kinda weird. I live in a Studio, with a
loft-bed...it works actually...clears up a lot of floor-space.
So...now what?
The end is a beginning. Back to real
life, which is strange place to be…again. I’m working on some “day job”
options. I have landscaping, which is good. I am also trying to find
other flexible, decent paying work. Maybe teaching?
This is a peculiar place for me. I am
one who definitely thrives in structure. Not exactly a constant in an
actor’s life; a paradox, if you will. I am in a period of adjustment. I
have so many possibilities that, at times, it all can feel overwhelming.
As there are no guarantees within the vocation I have chosen, the
delicate balancing act starts all over again. I move forward from here,
with a faith that I have gained, in school, what I needed to propel
myself onward and upward. My faith and confidence tested, I must trust
in the work I have done, and embrace the fact (yes, I say FACT) that I
am enough and have something valuable to offer.
I read my first entries from three
years ago. I look at the questions I asked; I don’t know if I have any
answers, but I know I have more questions.
Where do I go from here?
Where do I begin?
How do I get there?
What does the world have in store for
me?
And to my former classmates, my
three-year dysfunctional family:
I bid you all farewell.
If it be that some of us ne’er cross
paths or words again? So be it. I wish you all the best of luck in
whatever you do. I know we did not always get along, and I wasn’t
exactly the most social of our mass; it was only because my path, from
the beginning, was very different than others. I came to this experience
with very different reasons for being there, as I leave very much in the
same fashion. Each of our respective journeys was and remains diverse.
Perhaps it is we were not meant to be friends at this time, perhaps our
friendships have yet to develop? Perhaps not? Either way, I hope you all
know, while I did not always agree with…whatever, I did my best to
respect you all as people, as well as artists.
Goodbye, Mason Gross MFA Class of
2007.
May 10, 2007
Back in Manhattan; at another coffee bar; had my 1st “New
York” Audition: Pat McCorkle called me in for an understudy part that
pays OK. I honestly don’t know how I did, I must allow myself to “know”
I am good enough. I feel it often, but I must now carry that feeling
into the professional world. I do hope she was pleased enough to call me
in again. Not only is she a lovely person, but also a prominent Casting
Director. Wanna keep her happy. Networking, you know? Anyway…
We are getting ready for our New York
Showcase; we have our “Friends and Family” Performance tonight, so we’ll
see. It’ll be a nice dress rehearsal, as I have invited no one. I just
couldn’t justify inviting people who have seen me in numerous shows (in
their entirety) to travel over an hour and a half to see our last 29
minutes onstage (9 of them, contain me).
My apartment is a mess, but there is
no point in cleaning as I move next week. I keep telling myself, “In 2
weeks it’ll all be over.” It is amazing how important having a livable
place is to me. I am unsettled, unable to completely relax. I must work
on that, I know. 3 years!!!! Jesus! I can’t believe it’s almost all
done.
At the behest of my parents, I am
going to graduation. How could I deny them? They wanted to go—We are
going. Simple as that. The LEAST I could do for them after all. I owe
them so much, almost anything I can think of feels inadequate. I am so
fortunate to have them. They have been nothing but loving and
supportive. I do not only speak of Grad School; in everything. I love
them both so much.
I’ve started packing…
I am in a Waiting Place…
April 29,
2007
Back on the Left Coast…and what a wild
ride it’s been. I am sitting in my favorite coffee bar hangout in LA,
The Bourgeois Pig, as I write this; my old home away from home. I am
very reflective, thinking of my journey to this place, here an now.
It almost feels like I never left. Of
course I have, and I’ve have this whole other experience; but, driving
in LA traffic, seeing old friends, old places. It is weird being back as
I have changed so much: physically and mentally (spiritually and
emotionally). I’m still not sure if I like it here.
Anyway, the showcase (damn I keep
doing that…PRESENTATION) was wonderfully received. The best reception I
have received, ever! June did really well also, probably the best of
all of us (not surprising!) Industry people REALLY appreciated the
brevity of the Presentation (29 Minutes!) and were unanimous in their
opinion that it is pretty solid throughout.
Then life has a funny way of showing
up, uninvited. Almost immediately following our last performance, June
had an abscess tooth that flared up within a few hours. After an evening
in the ER, Hamish called his dentist (THAT GOD!!) and from there we went
to an oral surgeon who drained an extracted her tooth!!! Several 100
$$$, and a ton of antibiotics later, June was on the mend and it was all
over. Despite all that, an after some creative, on-the-fly rescheduling,
we were able to keep our meetings and get “the business” done. The only
real sacrifice was any recreation time we had planned: we weren’t able
to go to Santa Monica, Venice, nor Pasadena (really wanted her to see
Huntington Gardens!) But for another time...
Sincerely, for such a dreadful
situation, it all could not have gone better, mostly thanks to Hamish.
Thank you Hamish!
Met up with Denise an Naomi, saw
Laurie and Owen, Johnny and Rob, A Noise Within (they lent us
cubes!—Thank YOU!!!)…saw people I wasn’t expected to see: Archie, Ken,
John, Perry, Terry…Saw my old teacher, Morgan, briefly. It was lovely.
Made me appreciate what I still do have here. As much as I bitched and
moaned about this place, I did have much to be grateful for; good
friends, solid support, love. In fact, for me, the ‘Friends and Family
Night” was more nerve-racking than the actual Industry Presentation. I
had about 20 people there; it was wonderful and overwhelming. I always
have an unease about hose types of social gatherings because I
inevitably feel as if I’m ignoring someone. For instance, one of my
friends, Johnny, came and we only had a brief moment or two afterwards
and then he left. It turns out he knew one of our alumni who attended,
Jordan Baker (whom I never got a chance to meet), plus we ended up
having a nice lunch together. Which was great, and he got to meet June.
Anyway…blah, blah, blah
Being asked over and over again, “Are
you coming back?” forced me to actually think about it. I did, a lot.
Factoring all the good stuff that happened here: meeting with networks,
agents, managers… I have a lot to think about. The one thing I do know
is right now I still have New York to factor, and judging how LA went, I
could be in for something very interesting. My answer still is:
Bi-Coastal. I know that may be cliché, but it’s true. Knowing that I
have a firm support system in place here in LA, and a pretty solid
parléz into NY, I feel this is more than possible.
People’s reaction to me (my physique
as well as my acting) was pretty flattering. Growth has occurred:
artistically and personally.
I am getting ready to head on a plane
back to NJ. So much change is in store for me. Immediately after
graduation I move and then who the hell knows what. I am, for the
moment, OK with it all.
As I learned in my research for
Proof, I can “either die in the struggle, or relax into it.”
April 16,
2007
Perspective.
That is the word for the time. Keeping
perspective. Our Los Angeles trip is dangling before us like a Damocles,
and as one of my classmates described, everybody’s “crazies” are coming
out: whether it is which dress one should wear for our bow, and should
one change for the reception, or the reflexive, defensive behavior that
rises to the surface when working a new scene and one can’t grasp what’s
going on, or whatever…the list goes on. Believe me, the list goes on.
It may be coincidence, or fate, that I
am currently reading, To Kill a Mockingbird right now. Yes, it is
as a matter of fact, the first recreational read I have been able to
enjoy during my Grad School experience. Reading the most famous quote
from the book as well as the movie, it made me think. It put some things
into perspective.
Here are the sage words of Harper Lee,
through the great American hero she created, Atticus
Finch:
“
‘First of all’ he said, ‘ if you can learn a simple trick, Scout, you’ll
get along a lot better with all kinds of folks. You never really
understand a person until you consider thing from his point of view.”
‘Sir?’
‘—Until you climb into his skin and walk around in it.’”
What am I saying? Well, it hit me the
other day. If one never went through any of this stuff before (i.e.
showcase, living outside of school, etc.), it easily can be seen as an
extremely overwhelming thing. So much is unknown, even for me. But
because I’ve been through all this many times, I do have a very
different perspective than most of my classmates.
I must be mindful, and respectful
everyone else’s experience. Furthermore, I cannot expect them to just
“take my word” and be at ease. They must experience all this on their
own, on their own terms, and draw their own lessons from it all. And I,
doing all of this again, not only must be open to the new lessons I must
learn, but also relearn those I believe to already know. Thus allowing
myself to gain a NEW perspective.
April 12,
2007
So much can change in so little time…
Remember how I was enjoying the fact
that I had everything set? Scenes? Pics? Etc. Well, one of my scenes, my
meatiest…got scrapped. The powers that be hated it. So this week has
been a somewhat frenetic attempt in finding a replacement scene.
Thankfully, it is my scene with Julie. I mean, we are both able, and
quick studies…we have 95% narrowed down our search. What’s fun about
this whole thing is that next Wednesday (5 Days!) we have our Dress for
Joe Mancuso’s Theater Appreciation class (my TA this semester). So the
pressure’s on.
Then…
I’ve found a new home in Jersey City:
A studio with much convenience (PATH accessible, Parking, Laundry on
premises, ALL utilities included! Nice!) Now, I have to break my lease
here. If I find someone to move in…I’m all good. So I’ve been searching.
I sign my lease next week, and am looking to move in May 15, and have my
old place rented for May 31. A little apartment “Dos-ee-Do.”
Up side…?
I have so much other “shit” to think
about, that I have been able to be so relaxed about the actual showcase.
You know? In fact, a wise teacher of mine recently told me that I (we)
are in the midst of a hurricane, and the most calm part of any hurricane
is within the eye. So, I am embracing the fact that I am in a hurricane
and I am relaxed in the center to the best of my ability.
Tick – Tock…
March
23, 2007
1 Month until LA. Scenes have been
picked out, headshots have been chosen, reservations made, itineraries
finalized, and so on. Wow…we’re here.
All we have to do now is endure the
freak-outs, panic-attacks, and unsubstantiated feelings of inadequacy.
Do the work, keep it about the work, for it is only the work that
matters…yes? While I KNOW this to be true, I also have to keep repeating
it to myself as a mantra. So much is beyond my (our) control, I can only
focus on that which I can control.
Outside of “school?” I am looking for
a new apartment .
(Moving again!....FUCK!!!!)
The area in which I am targeting to
move, I’m still learning about: where are the nicer areas, where things
are? best ways to get in NYC and locales nearest to the PATH, etc. I
admit, I am not so concerned with moving, it’s just the fact that I have
to do it again. Christ I think this is the 12th time for me.
Getting the final details and the
actual execution of the Showcase (Sorry…”Presentation”) is going to be
very hard for me. Some in my class are freaking out a bit, and are
trying to grasp at anything they feel they can “control.” As a result,
things that are ultimately not important become over-thought,
micro-managed and second-guessed. I lose patience because I know how
unimportant many of these issues really are. Furthermore, some are so
scared that they are unable (or unwilling) to pay attention to anything
unless it directly matters to them. In other words,
Nothing Happens, until it Happens to
Them.
This is very frustrating as it is
difficult to communicate with people like this because no matter how
clear you are, they will NOT hear you. So when you continue on with your
life and your work, it can be halted and interrupted in an instant when
they DECIDE to stop and pay attention to what it is you have been saying
for weeks. Then, at that point, you become confronted with questions,
and attitudes you worked to avoid. It soon becomes clear that your
efforts were in vain because you were communicating on deaf ears, not
from malice mind you…but from ignorance. There is no shame in not
knowing something. I believe grace comes from the ability to admit to
oneself what it is you do not know and trust those around you who may
perhaps know more. That does not mean that you cannot still offer
suggestions, but when one’s efforts to “work through” their ignorance by
hammering their thoughts to everyone else to over-compensate, that
becomes counter-productive, as others may feel imposed upon…I believe.
When all this comes from a place of NOT Knowing, it is particularly hard
to swallow. Furthermore, I know for myself, when it comes to my life and
career, if something is imposed upon me from something that I know to
not to make sense…I will NOT have it. That is where I must tread
lightly: I know I am capable of fighting, and when I do not want to do
something, or I believe it to be wrong I cannot be silent. I been
through too much, worked too long, and too hard to have people “in
crisis” muck it up for me.
My experience base is so different
from most others here. That knowledge has been at the core of my
experience here, and have not been able to step away from that fact. But
I do not believe I should as I have been getting here EXACTLY what I
came for AND what I needed. Not arrogance...Awareness.
From all this nonsense, the other day
it occurred to me that, I’ve been in this situation (in a showcase) SIX
TIMES. I have quite a bit of experience in this. What have I learned
from all of them? It is NOT the end-all and be-all here. Another harsh
truth I realized: in my 6 respective showcase experiences do you know
how many calls/appointments I received?
Yet, I’m still here.
Now, what can I conclude from that
sobering statistic?
-
I have been deluding myself for all
this time, and therefore lied to by all I work with regarding my
talent/ability.
-
I wasn’t marketable enough at the
time, or was unaware of how to best market myself.
-
All that is past is what lead me to
my place here, and now. I was to go through all that so I may apply
what I’ve learned to today. Therefore the only requirement of me is to
learn and grow from all these experiences and apply all that knowledge
to the present.
I choose 2 & 3.
And here’s the thing. While I am more
hopeful going into this Showcase than any other, I am also aware of the
reality of the harshness of “the business.”
Strike the word “Hopeful” with
“Confident?” Hhhmm…maybe. One may argue that is a matter of faith.
Something I’ve been working on this past year. I admit, after
living/working in Los Angeles, it is a challenge to have faith. But
that’s the point isn’t it? Faith is most precious when it is difficult.
Talk about an awareness of how the business works. But I am not in LA
anymore (though a Casting Director recently told me that I am more an
“LA type” too “edgy” for New York-ironic huh? Though not an insult).
None of this can be fixed, or cured,
or changed really. The only thing that can be worked is my response to
these things. Acknowledge that it is not about me, control what I can
control, and be the master of my thoughts.
February
28, 2007
The Beginning of the End…
I have completed my headshot session
with Chia Messina. What I have seen thus far has been pleasing. I have
just received the link to the online photo page, and am working to
narrow down the selection with the help of a few of my most respected
friends and colleagues. They seem pretty good, but I hope it’s not
because of how much I changed, how different I look. I look so much
different than I did when I arrived here. I’ve lost 20 lbs! For God’s
sake!! So much has changed for me in these 3 years, beyond the physical.
I believe in the possibility of good
things in my future.
I am almost completely settled on
both my scenes for showcase and am very happy. They, collectively, show
exactly what I am to sell: for theater – Romantic Lead, for TV/Film –
Suspect/Asshole. Things on “the list” are slowly and steadily being
checked off.
Now is when I must find a new
strength.
Doubts creep in and I must squelch
them. My confidence in my talent and ability is pretty secure,
especially now, finishing my time here. But where I waiver is my
“marketability:” I’m still learning what it is I’m selling, still
figuring out what that unique thing is that I have to sell… and to whom.
Tough questions, subjective
questions.
Just yesterday, we did a TV workshop
with a prominent DayTV Director. Was a lot more fun than I was
expecting. We all did a great job, and most of all, was fun. The
Director liked us a lot, and I feel we all made a pretty good impression
on him. I had two scenes thrust upon me, and I hear I was solid in both.
Personally, I had an easier time with the comic scene. Could be for two
reasons: It was later in the day, and I was warmed up, as my other scene
was the 1st of the day, and a “Daytime Romantic” Scene. Some
tough writing to get my “soul” behind. But I hear I did it.
That project left me with a pretty
good feeling, a sense of Achievement.
As I write this I acknowledge I’m
probably repeating myself: just as these feelings keep rising (and will
continue to rise) to the surface. What I hope is different is the way I
face these feelings and doubts. I do not believe they will ever
completely go away, but perhaps the weight I give them, will.
I’m looking at the quote I have had
above my desk for years:
“I will work and get ready, and
perchance my chance will come.”
- Abraham Lincoln
February 19, 2007
I
now live in a world without “The Country Wife.” This show has been a
source of trepidation since it was announced as a part of the season. No
one really wanted to do it, and upon being cast, I did my best to
squelch that attitude (with decent success I may add). I worked harder
than ever; making sure I knew what I was saying at all times. I
exercised the skill of using operative words as well as speaking through
the thoughts. You see, with plays of this time (including Shakespeare)
the ACTION is IN THE LANGUAGE. This show was a tremendous exercise in
all this. However, not everyone was comfortable with these demands; this
created a somewhat constant negative attitude and resistance, which
created an environment that made it difficult to work. Arrogance and
fear crept in to several of our cast-mates mind-sets. It was annoying,
and stifling.
This
was the hardest, and subsequently the most thankless, show I’ve ever
done. The language, the style, the physical embodiment of Horner was a
constant challenge.
All
in all, I thought this was a solid production; most of the faculty was
pleased and impressed. Not a bad feat considering that Classical plays
are not Mason Gross’ strong suit.
Cigdem
Onat’s direction was eloquent and classy. I was lucky to work with
her, and I can only hope she feels the same in some way. While I know
her time here was not the easiest for her, I believe (with confidence)
that I was not one of her major concerns. The only thing I thought was
missing from the production was the necessity of more BAWD. The style
and the period of Restoration Comedy demands filth, and I believe this production was almost too polite.
BUT I must acquiesce that our director had such a task thrust upon her;
between the massive amount of text that needed to be dwindled down, and
the collective skill-set of the cast (note the use of the word
“collective”) that I believe there just wasn’t time. We barely had
a month for God’s Sakes!
Knowing
(or I should say, feeling) the difficulty the majority of our audiences
had grasping this play was hard on the actor psyche (mine, in
particular). You could literally feel them getting tired (a 2½ play at
it’s quickest!). This required a different kind of
endurance…perseverance if you will. In fact, a few of our teachers,
who happened to enjoy the play, were put off by many of us thanking them
for merely staying for the whole thing. Unfortunately, this was a fact
with what we were faced regularly. Conversely, when an audience was with
you…it was a song! As is with any play really, but particularly so in
this case as the work put in this effort was significant.
I
still cannot for the life of me wonder why we did this play. It has
little relevance in today’s society. I’m not saying we should not do
Restoration Theater mind you. I have learned so much and gained more
confidence in the range of my aptitude within the craft. BUT, if one
wishes to endeavor to do this period of style…why not Moliére?
Sheridan
? Or Synge? I don’t get it….Bottom line, The Country Wife is
a mediocre play at best.
Then
there is the actual role of Mr. Horner. I’m not sure if he is a
character one particularly gets behind. He does not change, learn
anything, or suffers much. He is a device to keep the plot going,
that’s it. Yes, he is a device. It seems that Mr. Pinchwife is the
spine of the story. We watch him suffer and change (a bit). Nick Farco
did an amazing job. I must admit, he made my job easier as the crazier
and zanier he became, I was able to not do as much. BUT I wonder if I
allowed that to happen? Did I trust? I don’t know…and if I did, did
I become boring? I honestly don’t know. I feel people enjoyed him
more. Is it the design/structure of the show? Or my performance? Yin and
Yang: without one, you cannot have the other.
This
was my Swan Song here at Mason Gross—apropos that it was my most
challenging role. However, I guess my ego wishes I could have gone out
with more of a bang. Maybe I did?
I
am taunted by doubt and fear as we enter the portion of the program that
focuses on leaving this place: showcase, headshots, interviews, etc. I
must release into the fear and turn it into excitement. I must focus on
my positives and turn my negatives into opportunities. Insert your own
cliché here.
January 12, 2007
Well,
after a much needed week “at the table,” we just finished our 1st
week “on our feet” with The Country Wife; and I have to say I
feel I’m on moderately solid footing. That is not to say I don’t
have a ways to go…I do. However the work I did during the break (with
Jan Leys, and Kathleen Kelly) has really benefited me. I feel I’ve
made some pretty solid, and bold choices, and I have been able to begin
in a greater state of preparedness.
Now
that we have blocked the show, and I’m off-book, my challenge lays
within the utter control and unflappable personality that is Horner, the
character I play. I must embrace it and live in it. This test is a big
one for me, as it requires unwavering confidence in that I AM ENOUGH. I
have been working towards this end during my stay here at Mason Gross,
and I believe it is attainable.
I
can do this.
Furthermore,
I have two weapons in my arsenal; both of which fuel each other as well
as myself—my costume and the style.
While
we are not doing full-on Restoration style, we have a great deal of
influence from the period. There is a graceful, elegant, flamboyant
quality in the movement that fuels my particular style of movement.
(Much f this period we learned during Jan’s class last year, and
performed during the Baroque Salon.) In addition, my costume consists of
pants that appear as a skirt. Now you may laugh, but this provides me a
freedom in my movement that does not occur when wearing actual pants. I
am less conscious of my legs, therefore I am able to have relaxed
quality in my walk that is necessary within the style and which also
fuels my character.
Finally,
there is a bit of an ego massage as Horner is an alluring, sexy, utterly
confident, Mephistotic being. I have never been cast as anything
remotely close to this before…and there is a compliment that not only
was I cast as Horner, but also the knowing that I am, even in this early
stage, pulling it off somewhat.
Again…there
is a long way to go.
January 3, 2007
I asked…and she said, “Yes!”

That’s right! June has made an
honest man of me. We’re engaged!
I can hardly believe it myself. This
has been a side of my life I deliberately left out, as we wanted to keep
our private life well, private.
It started 2 years ago.
She initiated the whole thing, and as
she was in a relationship, I did not (for she was the only woman in the
program to whom I was attracted).
How’s this for a New Millennial
courtship...? She texted me confessing her “crush.” I was,
to say the least, BLOWN AWAY! I responded in kind an we had our 1st
date on January 3, 2005 and talked about some things, and slowly took it
from there.
June is, quite frankly, the best thing
to ever happen to me. We truly compliment each other. She has such a
generous, forgiving demeanor; to quote a famous recent movie, She makes
me want to be a better man. I believe she has. While I still can be a
tad critical of things (not a bad thing completely), I believe that
tendency has waned a bit.
When we first started dating, we were
resolved in leaving it OUT of the classroom. We were so successful in
our discretion, no one knew anything until the END of that 2nd
semester… just as we wanted. Even last semester, we hardly sit
next to each other in class. Work is Work.
Why now?
Well, I believe if we are able to
survive Graduate School together…we should be able to survive almost
anything. And, as we enter this very chaotic and uncertain time, I felt
it important to offer June one thing that is certain…my love and
devotion to her.
For “our anniversary” we took a
weekend retreat to Washington, DC. I made New Year’s reservations at
Georgetown’s 1789 Restaurant, and proposed at midnight, just as we
entered the New Year. Well, actually, I had a dessert plate engraved and
on it was the proposal, on the plate was dessert. I was so scared the
moment dessert was served. We at dessert, and I became more and more
nervous…I didn’t know for sure what her answer would be…as we finished,
and she read the message, I went down on my knee, said something very
personal and heartfelt, asked that fateful question…and she answered,
“Yes.”
While no date is set, my commitment to
our relationship is, as is hers to me. Once we graduate, and things calm
down from our showcases, we’ll figure out the where’s and when’s.
I never thought this would happen to
me…will wonders never cease?
I love her.
December 29, 2006
This
one is for my students.
Yes,
you read me right…I said MY students.
I
just finished my 2nd semester of teaching during my training
here at Mason Gross.
(to
NON-Fine Arts Undergraduate Majors mind you)
What
I find amazing is that it WAS part of my training, you know? The act of
teaching TAUGHT ME more than my students, I believe. I have learned, yet
again, that one must always be mindful of the fundamentals:
moment-to-moment, spontaneous life, impulse, actions, and objections.
These must always be present while acting.
Basic Acting 271: My 1st semester of teaching was more
challenging to me for a couple reasons:
It was the first time I ever taught—a daunting
task, as I had to dive well in the faith that I KNEW ENOUGH to teach,
let alone be called “the teacher.”
It comprised mostly of theater-games—something
I was not particularly familiar, nor something that was used in my
training. As a result, something for which I did not care.
Then, we moved on to the Uta Hagen “Object Exercises:” Privacy,
Entrances, Immediacy, etc. (Much easier—for me!) The end of the semester
moved to partnered work to exercise impulse, spontaneous life, as well
as relationship, which leads to point-of-view. (All the while being
careful to NOT teach the Meisner Technique, as we were students of that
technique still.) Finally we moved on to “Open Scenes.” These are scenes
that are very innocuous, and it is up to the actors to impose
relationships and circumstances on them, and make the text make sense.
Moving into partnered work was particularly daunting for me, as I did
not know how to explain it to them. Without a clear vocabulary, I found
myself stalling to move on. Eventually I had to just dive in, and that
we did. What I learned is, we just had to do it, and learn as we went.
The major lesson in this section was to see how much we take for granted
in our real lives. For almost EVERY TIME I asked a student, “what was
that that just happened?!” They would inevitably response with
indifference or confusion. We discussed how society has been whittling
down our freedom to react with abandon for fear of drawing attention to
ourselves.
Which leads me to another point, and subsequently something I feel I
succeeded at: Creating a safe environment. So much in these early Acting
Classes involve, no REQUIRE, the student to feel SAFE. This safety
enables them to tear out of their comfort zone, make fools of
themselves, and behave “inappropriately” all in front of on-lookers
(their class-mates). The need to feel safe is paramount. This was of
huge importance to me. Watching the class grow more and more comfortable
was a wonderful thing to witness. As a result, the class (both!) became
almost a familial unit: they would go out, party, and sometimes date,
each other. All of which allowed them 9most of them) to behave in a very
honest, vulnerable way in front of each other. Egotistically, I took it
as a huge compliment.
As
this class was my 1st venture in teaching, I kept myself at a
bit of a distance. I did not want to blur the line between teacher and
student, as can happen often when graduate students themselves become
the teacher. Subsequently, inappropriate behavior on the part of the
student AND/OR the teacher can easily develop. This can happen for many
reasons: we are suddenly in a power position, which can easily be
intoxicating or abused; and there exists some adoration for the young
students looking for a parent figure.
With
the “dangers” there also comes the “successes” however. Those moments
when you witness a student break-through a barrier, or suddenly “get
it.” I came to love those moments. For in a selfish way, at those times
was when I felt not only like what, I believe, a teacher should be, but
also a good one.
I
remember one student who had some trepidation towards the “Just Because”
Gift: The “Just Because” Gift was an exercise I had my students do in
order for them to exercise the concept of “MEANING.” For example—when
you are doing something for someone who has great meaning to you, your
behavior, through the endowment of what you are doing takes on great
importance. The MEANING takes on its own behavior, and we, as actors,
look to convey such meaning truthfully onstage.
Well, this student came up to me upon my giving the assignment and was
very concerned about the execution of this exercise because he “didn’t
work that way.” I told him to give it a shot, have faith, and we would
see what would happen. I challenged him that he might be a bit
frightened and I encouraged him to look at that and ask himself “why?”
Well, the next class he came in and started making his gift, albeit a
simple one, and all of a sudden, all this emotion came out in a very
honest, very truthful way. Nothing was forced, he was just present with
this gift and the meaning it had and a very vulnerable moment ensued.
The whole class watched in wonder as did he, afterwards. Many other
students had similar reactions to their gift and they undoubtedly
learned that particular lesson.
That
was one of my most favorite moments as a teacher. The lesson was
successfully taught. They knew it...I knew it.
It’s
not about “being right.” For me it’s about growth and trust. There trust
IN ME, allowed EACH OF THEM to grow; and my careful guidance steered
them to learn. It is a humbling thing, not to be taken lightly. I
learned the true responsibility it is to hold others growth, confidence
and education in my hands.
Basic Acting 272: My 2nd semester was a very different thing.
Having done this before, my confidence had grown somewhat, and we were
able to move away from games and go straight into exercise work. I found
myself to be innately better at this. 272 focused primarily on Actions
and Objectives (Intentions). I found myself drawing much from my old
teacher, Morgan Sheppard, in Los Angeles. I heard his voice in my head
often. His was a voice of comfort.
We
reviewed the broad strokes of 271, and immediately went into partnered
work and into the “Open Scenes.” But we really got cooking when it came
to the Scripted Scenes; which, by the way, was pretty difficult to find
7 solid scenes in which all could work…but I did it after much
searching.
It
was fun, trying and rewarding to watch my students grow within the
scene-work. Again, this work was much easier as most of what I did was
ask, “What do you want?” or “How are you going to get it?” Questions we
must always ask as actors, mind you. What was really cool, was watching
the students start asking the questions themselves, pushing themselves
and breaking out of their comfort-zone.
Since I was more confident in myself, I felt a greater sense of ease in
my teaching style. This ease led me to “lighten up “ a bit and I was
more able to be less formal with my students, while STILL maintaining
the student-teacher relationship, which was nice. Furthermore, one thing
I innately became aware of, and I think, made me a better teacher, was
the ability to allow myself NOT KNOW everything. Quite simply, when
asked a question in which I was not sure of an answer, or just didn’t
know?… my response?
”I
don’t know, what do you think?”
Fallibility did not make me a lesser teacher. It made me one with whom
my students could more easily relate, I believe.
We
even moved to Monologue work. While we did not work them as much as I
would have liked, we made good progress with them in the short amount of
time we had. AND I got the impression the exercise was a valuable
learning experience for them as well.
Again, I found a huge compliment in how close the class became with each
other. A wide variety of sorts, a kin to the “Breakfast Club;” all
sorts, unlikely to have much in common, inevitably did…a beautiful thing
to witness. (As in 271)
Both
classes invited me out socially; however in either case, I did not feel
it appropriate to take them up on their generous offer.
In
short (not really), this whole experience has been tremendously valuable
as a teacher, student AND a person. My confidence in my knowledge,
ability and myself has grown in a way I never would have guessed.
Of
course, it wasn’t all a “Love-Inn.” Not all of my former students liked
me, I think…and I have to admit, there were a few who made my job a tad
difficult. Especially when grades came about…one in particular wrote a
fairly nasty e-mail to me. It was amusing to see how many argued grades.
But that gets into the whole quandary of students as consumers…a BLOG
for another time.
Nevertheless…
I
thank them all from the bottom of my heart, and wish them all the best
in their endeavors.
Dec. 16,
2006
5 Down…1 to go. Semesters I mean, if
anyone’s counting.
I can’t believe it. My God, in 4
months…I’m done!
My evaluations went well, very well,
in fact. My last remaining issue, it seems is this membrane, veil, film
(insert your word for a thin barrier here) of “performance” that seems
to remain present in my work. My control issue?? perhaps? Although, I
admit I feel a bit confused about this issue. I mean, one is
onstage…filling a greater space than that is occupied between two
people.
I’m not negating the issue, however I
feel it may be something that won’t be cracked until I’m out of this
place. Not an excuse mind you, I’ll work on it…It’s just that I’ve
learned how to not obsess. You see, in this conversation, it was
yielded that this was a conversation that could not occur with anyone
else. I have been asked to completely leave the work, and trust that I
am not only enough, but also interesting and always present “in the
moment.” A tremendous compliment on one hand, and a frightening
challenge on the other. Basically, I must begin to leave my training
alone and just be.
The timing of this is interesting to
me as my confidence while being here at Mason Gross has grown immensely.
I do my best to be careful not to delve in the realm of arrogance (a
trait I truly deplore….along with ignorance. Together, a vile
combination. Unfortunately, all-too-common in this world of acting. It
is something I am confronted by every day here, which is why I tend to
keep to myself and a select few…I digress). I acknowledge that some of
my past entries may come off arrogant. However, these passages are where
I allow myself to indulge my growing confidence so as to prevent myself
from overt egotism. Because, you see, an actor MUST have confidence in
his/her capabilities, or else it all caves in…I believe. I remember a
class I took years ago:
The instructor asked us to look around
for a few minutes and figure out the 3 best actors in the room. After
the few minutes lapsed, the instructor didn’t ask us who we thought were
the best 3, he only informed us that if you didn’t include yourself in
that 3, you shouldn’t be an actor. I learned a lot that day about the
psychology of this business. Confidence is a must.
Anyway…blah, blah, blah…enough of that
crap. How do work on “my issue” in “The Country Wife?” A restoration
Comedy…a broad farcical comedy….we will see. ????
I’ve been working to prepare for the 1st
rehearsal for “The Country Wife.” It is a bit frustrating, as we have
not received cuts as of yet. The play in its entirety runs at about 3 ½
hours. We just can’t do that in today’s society. These days, the most
that can be expected of an audience is 2 ½ hours…at best. Cuts MUST be
made. The 1st rehearsal is January 2, and we open a month
after that…not much time. My goal is to be off-book for some (most?) of
it before we start. I’ve gotten, and will be getting more, private
coaching. Why? You may ask? Well, to be blunt, classical pieces is not
Mason Gross’ strong suit…I wish to break that trend. A bit egotistical I
admit, but whatever. Aim high right?
December 7,
2006
After all the fuss and
speculation…”The Country Wife” has been cast. I have been cast…as one
of the leads in it, Mr. Horner. Funny, huh?
When I first learned of the news I
was a bit disappointed as I was hoping for something more current and
“closer to me.” Then I realized…
”What do I have to complain about?”
I got cast as the lead in a main-stage
play. Wow! …I’ve got problems!
Not only that, there are several
people in the cast with whom I am very excited to work: Nick Farco, Ben
Jeffries, Joe Tisa, Dennis Baker, Teresa Stephenson, the very funny
Julie Cotton, Beth and Alana ( my fellow “Proof” alum) and of course, my
June! A very solid cast for the most part. Our director seems very able
and astute: Cigdem Onat. From what I have researched, she is not only an
able actress, but also an accomplished director who has worked around
the country in schools such as NYU (and is returning there after this
project). Therefore, I feel secure we are in able hands.
In addition, I get to play (for the
first time in a main-stage production) an appealing, maybe even and
attractive male character!
This will be a tremendous challenge
for me as Restoration Comedy is a style not common in theatre these
days, and rather unfamiliar to me. I am a bit nervous—I do not want the
trend of bad classical plays here at Mason Gross to continue under my
watch. My pride won’t allow me to drop the ball on this one. To prevent
that, I’ve already been working privately with one of my former teachers
(Kathleen Kelly) to wrap my head and mouth around the text. My goal is
to be fairly off-book BEFORE our 1st rehearsal on January 2.
I plan to continue to work with a coach during the Christmas Break. This
is my Swan Song here at Mason Gross and it is my intention to go out
with a Bang!
I believe there is something out
there working for me that has delivered to me this challenge (especially
since I was reluctant to meet it), and therefore I’ll “encounter it as a
bride and hug it in my arms.” (Claudio-Measure for Measure)
I cannot believe I am entering my
LAST SEMESTER here. It seems not long ago I was beginning this journey
here at Mason Gross, and had difficulty not being overwhelmed by the
mass of work and time that lay before me. I know I have grown during my
time here, and my work is not yet finished. My confidence has grown
immensely (while not slipping into arrogance I hope) and I feel that the
East Coast has something tangible to offer me…or, should I say…I have
something to offer the East Coast market.
Of course I’m fearful, but at the same
time a quiet confidence is growing that good things are in my future. I
have put in so much time and work to prepare for this moment, and I feel
my efforts will soon be rewarded. I do NOT speak of ENTITLEMENT, mind
you.
November
3, 2006
Well,
I am dealing with something I haven’t faced in a long time…. FREE
TIME. What do I do with it? I know there is much to do…and, for the
most part, I’ve been doing it: Fundraising stuff, exploring how to
market myself, exercise…blah, blah, blah.
But,
I’ve become depressed…I’m not nearly as happy as when I’m
working. This is the 1st semester I’ve had in which I was
in only 1 show. While I have
looked forward to this moment for over a year, now that it is here I’m
pulling my hair out (those that aren’t falling out already - joke).
Furthermore,
my class work…I won’t say suffered…that implies a certain amount
of effort but it has not been as much of a priority; and while I have
not blown it off, I haven’t been wholly inspired to break my back
either. I’m done, I’m cooked…stick a fork in me. What’s
interesting is some of my teachers have noticed my demeanor and have
been understanding. Especially since I always come to class prepared, I
just feel a little lax on the inspired part…a challenge.
This
is a scary time. Anyone who does not admit to being frightened at this
stage is a bold-faced liar. While I cannot indulge my fears of being
exactly where I was when I first arrived, that voice in my head whispers
them to me ever so quietly…the constant artistic struggle.
Then
of course, there is what is inevitably my final show here at Mason
Gross: “The Country Wife.” Will it be?
I am planning to have a conversation with Amy (the head of
Directing) today about the consideration of my casting in a different
show, perhaps something at the Jameson Studio. I have many reasons for
this request:
Primarily,
I feel need (and several of my teachers agree) to work on a character
that is closer to me vs. most everything else I’ve done here (I need
to learn how to play me, more). Also, I want another opportunity to work
with one of the Directing Students (either Will Pellegrini or Jeff
Stanley). The latter is one of the major reasons why I came here; to
work with up-and-coming artists (directors, playwrights, etc). I hope
she will have an empathetic ear as I have risen to every demand asked of
me with a smile. I feel I have a valid request. In addition, I am using
this as an exercise on how to better assert myself and (professionally)
go after what I want.
Again,
the BIG truth to be acknowledged here: I have a hard time NOT working. I
love working on a show. I need to be busy. My girlfriend feels, and I
would agree with her, I need to take time as a lesson on how to calm
down!
“Cloud
9” opens tonight and I’m jealous, and I haven’t even seen it yet!
I
am trying to be diligent with the marketing stuff. Beth (Wicke) has
given me some additional work since our 1-on-1 meeting (went very well
by the way), and I want to be on top of that. It’s just so minute and
tedious…but it must be done. I really want to leave here hitting the
ground running.
Perseverance!
October
13, 2006
Well, “Proof” has come and gone…a success for the most part.
Adults seem to have appreciated the show more than the younger folk did.
Actually, virtually ALL adults who have seen it loved it, and were moved
by the show, emotionally. One has to pay attention to this play,
therefore our younger, M-TV nation we see growing up before us, seemed
to lose interest quickly. Unfortunate. Now, the theater majors, and
other “artistically inclined” youth were the exception…however
still the minority.
This show, despite myself (I still believe) was extremely well-cast.
Beth Wittig (Catherine), Alana Dauter (Claire), and Nathan Robinson
(Hal) all did solid work. Furthermore, the play is more theirs
(particularly Catherine’s) than Robert’s. Yes, he(I) served a vital
function, but the driving force occurred in the present-day scenes.
Another interesting observation:
While I have been receiving very solid, sincere compliments from
faculty (and others whose opinion I value), there has been a noticeable
lack of “carrying on” about my work in this play. Which leads me to
a couple of possible conclusions:
My work has set a standard that people have come to expect from
me, therefore less extraordinary.
Or,
Now, having seen me in seven shows (that’s right 7!), my habits have
become more prevalent, causing my work to be less extraordinary.
Hhhmmm…
I like to believe it is a combination of the two. I have a quiet hope it
is more the former than the latter, but…I’m here to learn, right?
So, I must focus on breaking those habits, those “crutches” I
have come to rely on that prevent me from delving deeper into my craft.
Although...
As
an actor who is working on his growing confidence, I must believe it is
the former. Though, as an actor who is always striving to improve his
craft, must acknowledge the latter.
It
is difficult at this stage of the program.
I admit (and I know I’m not alone) my mind is out of this place
already. While I don’t
believe I have totally slaked off in my class work, my verve to study
has waned a bit. There is a dangerous trap one can fall into if he
believes too much that he “has nothing to prove.” I am constantly
aware of that particular trap.
We
are focusing much time and effort on “getting out there.” Our
commercial class with Billy Serow is much fun, and a valuable review of
Commercial camera work, I am learning some new and valuable tricks f the
trade, in addition to getting used to the camera again.
Our
“Auditioning” class with Beth Wicke is interesting as well.
Though I’ve been “out there” already…it’s cool to go
back to the basics and allow myself to learn it again. Of course, there
is much I have forgotten, or just didn’t know. I want to take
advantage of her class in particular because I feel I’ve been given a
2nd chance at being new.
I don’t want to blow it. In addition to the greater confidence
I’ve been developing here, Beth is arming us with a more sharpened
sense of “the business.” I feel lucky.
I
am anxious to learn more.
September
25, 2006
Year
3 has begun…my final year here at Mason Gross. I can’t believe it.
While it is still a busy time, the workload has decreased significantly,
which is a huge relief. Over the summer I worked hard on some
fundraising ideas (we have to fundraise for our Los Angeles Showcase,
which kind of sucks, but is the way it is), AND tightened up my diet
while intensifying my exercise regime (including Yoga, Pilates, and
Martial Arts).
I’ve LOST 14 pounds!!!
I’m
in the best shape of my life. I have abs for God’s sake! (could be
tighter, but what the hell…I still have 7 months)
Again,
the year started early for me as we began rehearsing for “Proof” on
August 14. WE OPEN THIS WEEK! Yikes.
For the most part, I feel pretty good about my work as Robert in
“Proof.” There is
something about him that I am able to tune into. The fact that he is in
his “fifties” is challenging. Fifties is not old, so there is little
to play with age, per se. Therefore,
I’m choosing to solve that issue with make-up…and my first go round
on Sunday went well. Furthermore, the relationship between me and my
daughter, Catherine (Beth Wittig) is really strong, so it feels like
I’m going to pull it off. Not
to get cocky, though, my final scene with Catherine is a beast…a
difficult task balancing everything at play in that scene….but I am
hopeful.
Billy Carden is our director, he was one of my teachers last year.
We have been working well together. It has been interesting to work with
a former teacher; while the director-actor relationship is very much
intact, this process has been an opportunity to really work the
principles that he taught us in class. Embracing circumstance,
relationships, etc. has been a true benefit for me in tackling this
character.
We’ll
See…
YEAR TWO
May 12, 2006
Well,
what in the hell do I know?
Irony
can be a funny thing…
It
can also slap you in the face!
My
evaluations were wonderful…
All
“A”’s!
I
know grades ultimately mean nothing in this field, but it’s pretty
cool nonetheless.
The
big note for me:
EASE
UP ON MYSELF!!!!! Have more fun!
OK.
They
specifically brought up my demeanor after “Scapin” and the Clown
Saloon…
Weird
huh?
They
asked what was my problem…
I told them I was unsatisfied with my work…
At which point they told me to LIGHTEN THE FUCK UP!
Which
is nice to hear…I guess.Wonderful, actually.
So
now, it seems, the biggest issue I have with regards to my acting…is
myself! I need to find more
joy…or I should “allow” more joy.
I do…I love what I do. I take the note, BUT I do know that I
made a conscience choice to put myself in a specific mindset when I came
back to school. Furthermore, as I mentioned to one of my instructors,
privately: I have difficulty, at times, tolerating my classmates.
As my instructor mentioned, “It’s like being married to 8
other people,” and I added, “Who I didn’t choose!”
So
my issue with other people is something I need to take a cold, hard look
at. The thing is, I do my best to leave others alone…we all have our
own process, and I accept that. Its when I see people either speaking or
behaving from a place of ignorance, couple with an arrogance that is
unjustified…I go through the roof…internally.
As
I write this I think I’ve cracked what my logic is:
My
experience in
Los Angeles
exposed me to a lot of “shit”…shit, which was often rewarded,
because of externals (appearance). For
reasons, which I’ve already discussed in previous entries, I have to
work harder, and better. Because
of this drive I have developed a confidence (internally, a quiet
arrogance) in my work…I know I am good, great at times…Fuck it,
I’m Really, Really Good! All this has caused a secret nobility, which
I now possess; a standard I not only hold myself to, but also everyone
else. When that standard is
not met (in my opinion) I have no time to placate, and subsequently when
said insufficient work is rewarded, I take it personally, and grow
livid.
This
is, of course, my problem, and something I need to reconcile. I should
not let others affect me so. On
the other hand, as and actor, I must “take in” everything, observe,
and be aware of the way it affects me.
So what do I do? There’s the rub.
I know much of this stems from fear: what happens after this
experience here in
Grad
School
? Will I work? Or will I become a cautionary tale?
I
must seek within.
May 6, 2006
Well,
yesterday I completed the course-work for my 2nd year here.
I feel like I ended with a whimper than with a bang. While I know
the work I did was adequate, I am simply unable to be satisfied with
that…adequate. I am in pretty low place, I am disappointed in myself
and it doesn’t feel good.
“The
Scams of Scapin” was not that well received.
To be fair, it was also a very different kind of show…more
performance art than anything else.
We were directed by out Chekhov teacher, Lenard Petit. Not to
disparage MR. Petit, but I feel while I learned so much from him, I also
have learned that his way toward theater, is not something that works
for me…I continued to feel this as we worked toward our Clown Saloon.
Being such a new way of working, I needed more guidance. Lenard
had more faith in me than I think I deserved, and I just wasn’t
comfortable with myself, nor the work. I needed more structure perhaps?
But I need to work better with less structure.
I am so caught up with “doing it right” that I still get in
my head sometimes. Although,
I acknowledge I am better with that with regards to my acting in
general.
My
Acting classes went fine; I think they went really well.
Wonderful. The Salon
seemed to be fine, a true exercise in stillness and power for me. As the
King (Louis XIV, in the Baroque Period) I had to not do as much as I,
Christopher, would do...which was a challenge. I had difficulty
distinguishing the difference between power in stillness, and doing
nothing, as there is activity that exists in owning the role of, and the
power that comes with playing King.
My
Voice and Speech finals…adequate. I went up on my Voice
monologue…that just right out sucked!
Heather, my teacher, said she was the only one who noticed, it is
rumored I handled it just fine, but I am unable to be satisfied with
that. According to her, it was a matter of a pause being where there
shouldn’t have been one. I should have NOT gone up. I just blanked. I
believe my Speech monologue was just fine.
The
Clown Saloon?...well…a pretty humiliating experience for me.
Most everyone else did great but I was pretty weak. Again, this
kind of work is not comfortable for me. I believe a portion of my
discomfort derives from the constant regarding of the audience.
This is something I have been practicing years to NOT DO! I
don’t like it. Monologues,
and Shakespeare Soliloquies are a different thing…this is totally
playing to, and taking in the audience; it terrifies me.
All
in all, the 2nd year was going really well. Then after the
mid-term of the 2nd semester, I think I might have started to
deflate from exhaustion, impatience, or what have you. I know we were
all tired, and we all had a lot of work.
The thing is, and I do not believe this to be an excuse,
but…they worked me hard and long…and in the end…I had nothing
left. The truth of it is:
I was working on shows straight from August 20, 2005 through
April 8, 2006: I had no Thanksgiving Break, only 1 week for Christmas,
no Spring Break, and twice I went directly from one show into another
(having maybe a week off, or only a day). I hate excuses…but I can’t
ignore these facts.
A
dose of humility can never be bad for an actor; it’s just so difficult
to swallow. The thing is, I
am so scared of what happens AFTER my time here. My experience in
Los Angeles
has really skewed my perspective. As
a white male without a chiseled body, nor a GQ face, I cannot afford to
be adequate in ANYTHING. The
only way I will stand out is by being not only the best I can be, but
also the best. I realize
this my sound egotistical, but I cannot afford go through ANOTHER 6
years like I did in LA banging my head against the wall trying to get
noticed…hoping my work was enough!
I will not, I cannot work in catering again!!! I feel very
uncertain with myself. Perhaps this is all a dose of humble pie that I
have been overdue in consuming.
Of
course, we’ll see what happens on the 10th of May when we
have our evaluations. I
wonder if my feelings are correct; I’m sure I may be over-reacting a
bit as I have been told that I am hard on myself…we’ll see.
Looking
toward my 3rd year, it is important to feel confident in
presenting the finished product that is called…me.
I
am scared, and uncertain.
February 28, 2006
I’m at the half-way point of the 2nd Semester of the
dreaded Year 2. Slow and steady wins the race…I hope.
“The Lonesome West” closed a couple of weeks ago as another
success. This was Doug Hall’s thesis play and it came together quite
nicely. At first I was disappointed that I was cast as the younger
brother, Valene, to Wesley Broulik’s, Coleman. However, I soon
realized that I could not have played any other part.
I AM a younger brother, and I had a lot to draw from. With all
humility, I believe it showed in the performance; this one came from the
heart…this one was for my brother, Nick.
Much forgiveness is with him, as Valene is to Coleman. Everyone
in the show was solid (all of our best work?) Wes, David Carl, and a
lovely Natalie Knepp. A lot
of trust and support all the way around…cool stuff. This is a pretty
intense show that leaves much of the audience exhausted as the set is
literally destroyed as the two brothers near kill each other.
The
Irish Jig at the end was a lovely final flourish…a wink to the
audience if you will.
So I move directly into “Scapin,” by Moliere…directed by our
own Lenard Petit (our Chekhov Teacher).
Too soon to tell, but Lenard has an elegant sense for comedy, so
it seems promising…we’ll see?
As I say, we are at the mid-way point hear.
Quite frankly, I’m toast: full load of classes, teaching last
semester AND constantly working in shows since mid-August 2005!!!
The big stuff we have remaining is the Baroque Salon (I am Louis
XIV, the Sun King!) and our Clown Saloon (???).
Miles
to go before I sleep.
December 12, 2005
My 1st semester of Year 2 is finished! As I’m sure you’ve noticed,
this is my first entry of the semester. That’s because I haven’t had
a moment to shit, let alone write a BLOG for the semester.
They’ve worked my ass off!!!! I was in the first show of the
semester, and last show of the semester, with about 7 evenings to
myself, all tolled, in between.
Mud,
by Maria Irene Fornes, the first show of the season, directed by Michole
Biancosino (who directed me in “Claw” last year), was a tremendous
success. This was her thesis
production. I played the character of Lloyd, which could possibly be my
high point
of my career here at Mason Gross; a three-person show included myself,
Carmen Goodine and Rico Rosetti. Great
stuff, everyone gave their all, and the audiences seemed to really
respond to it. There was a
lot of hard work in that show. We worked very well together; it was
pretty cool as any one of us could look at the other, at any time, and
KNOW that they were completely there with you.
There was some harsh brutal action going on, and the trust was
never wavering…a rare experience. Needless to say, the faculty was
very impressed all around, and that felt great.
Then we come to Audrey, a playwright’s thesis.
We had an outside director, Larry Kornfeld, who had a different
way of working. However, he shaped lovely performances out of all of us,
and shaped an interestingly staged show. The cast came together nicely,
no divas, all very supportive of each other.
We had to really, as the material was sometimes tricky.
“JACKPOT!”
As
this is written, we closed Audrey this past weekend. I start
rehearsal for the next show, The Lonesome West, by Martin
McDonagh, another director’s thesis production, for Doug Hall. We work
through the Christmas break. We get a small one, but when this is done,
I will have worked shows from the middle of August thought the 1st week
of February! UNCLE! I cry!!! There is one other who has been worked as
hard, that was Rico. He was
also in Audrey as the father (I was the fiancée).
We both were in two shows, AND Teaching...a lot was asked of us.
While it feels good to know that I have survived this semester having so
much asked of me, I am cautious with my self-gratitude because I am
unsure with my performance as a teacher.
This semester provided my 1st opportunity to teach.
I had a great class; they were enthusiastic, attentive
(seemingly) and willing. Of
course, I had 1 or 2 students who gave a bit of a hard time (probably
didn’t like me), but overall, they were great!
I honestly question whether I gave them enough.
I literally had to just choose to believe that I knew more than
they, which was the case. But where I felt my shortcomings fell was my
ability to clearly convey the material to my students in a way in which
they could grasp. The
applications were another matter; emotional availability was also a
tricky one. Meaning, and
point-of-view was understood on an intellectual level, but very rarely
were they consistently applied. Was
it my deficiency? Did I clearly teach the material they were to
understand? Was I asking too much? I honestly don’t know.
We get our evaluations next semester, so I’ll have to wait
until then.
Then, of course, there were MY classes. Yes, I actual had a full course
load myself this semester! Jesus, how did I do it?
2 Acting classes (3 actually, including a Chekhov technique class), 2
movement classes, Voice, Speech and Dramatic Literature.
The latter, taught by the accomplished playwright, Lee Blessing.
We read a play week, were quizzed on assigned play, and then took the
class time to discuss it; that was our academic class.
We
continued Meisner Training with Deborah Hedwall by including impediment
work in our exercises. i.e. drug use, mental retardation, acute and
constant pain, etc. In the last couple of weeks of the semester we
started working with “Opposite Point-of-View.”-- self explanatory, I
believe. In our other acting class, called our “Transition Class,”,
we worked with Billy Carden. One class per week was used in working with
Uta Hagen’s “Object Exercises” i.e. privacy, lost items, changes
of self, etc., and we did scene work in the other class. A goal was to
give a better sense of what is expected from an actor when he enters the
rehearsal process. Finally
in what was called “Physical Theater,” we worked with Lenard Petit
who taught us the fundamentals of Michael Chekhov’s Technique for
Acting. This technique
employs the use of physical (and psychological) gestures to find
character. Often this technique has the misnomer of “Outside-in.”
While working many exercises within this technique, we were applying
them in scene-work from Beckett’s Waiting for Godot. Next
semester we work toward a Clown Saloon, which promises to be fun. I
expect a lot of hard work, but the result is a fun show. At least it was
last year, you know?
We are continuing our work in Speech, based in Skinner, as well as our
Voice work based in the Fitzmaurice Technique. We have also continued
our work with Michael Blake, and Jan Leys, who teaches the Williamson
Movement Technique.
Next semester, in our Williamson class we will be working towards a
Baroque Salon; centering around Charles II of
England
, and Louis XIV, the Sun King. I
am the latter. Not only do I have a great deal of research ahead of me
during the Christmas Break, but even more work in the way of editing.
This is the official half-way-point of my Graduate Studies.
Miraculously, with all that was demanded of me outside of my
studies, I seem to have kept my head above water.
Evaluations are next week…so we’ll see.
What lies ahead? Will I continue to progress in my craft? What will
happen when I finished with this experience?
Hotel work? Gardening?...God I hope not.
YEAR
ONE
September
30, 2004
After
much consideration (deep evaluation of where my life and career really
was at the time) and the presentation of a tremendous opportunity; I
decided to go back to school. I
am currently in the beginning stages of acquiring my MFA from the
Mason
Gross
School
of the Arts at
Rutgers
University
.
The
move back to the East Coast was a mixed bag. While I was moving back
closer to home, which with regards to my family and some friends, there
was also something else that I couldn’t completely reconcile: had a
failed in
Los Angeles
? Was I running away? Or is this decision to rejuvenate, and refresh?
…Time will tell I guess.
I
have just completed my first month in this program, and I am leaning
toward clarity, but still wondering.
Probably won’t have an answer til I graduate (hopefully). While
I have worked a fair amount in
Los Angeles
, I felt a little overconfident about things.
However, I quickly began to realize that my previous experience
didn’t matter, not at this point anyway. We are all starting from
scratch, and the mere fact that I may have worked a bit more than
others, just meant that my “starting over” point was a little bit
farther back than others…kinda scary.
All
that being said, my curriculum consists of: Acting (Meisner-based),
Williamson Technique (Movement), Hot-Movement (more dance oriented),
Fitzmaurice Technique (Voice), Stage Combat, Speech and Singing.
Deconstruction seems to be the goal of this part of the program:
removing barriers, allowing vulnerability, etc.
Acting
consists of Sanford Meisner’s repetition exercises: where two people,
looking at each other, one impulsively starts speaking from a point of
view(one sentence), the partner repeating what is said, thus starts the
repetition. From there different elements are added (i.e. independent
activity, knock on the door, etc). I’m having difficulty dealing with
the door as well as focus upon my independent activity…I get in my
head.
Williamson
Technique (Movement)
is a little less easy to explain. We
start off with “10 minutes of doing nothing”…where we lie on the
floor and clear our minds. I’m not explaining it well.
Then we slowly progress to moving through instruction and/or
music. Not sure what to
expect from this class…but that is OK.
Fitzmaurice
Technique (Voice)
is similar to Williamson in the vein of it’s abstract nature.
We place ourselves in “Yoga” like positions to find these
“tremors” (an involuntary movement in the legs or arms, depending on
what part is focused upon). These
tremors disrupt our normal breathing patterns, and therefore release
tension. The release of
these pockets of tension, depending on their origin, can be an intense
emotional experience. The
theory is, as we grow, areas of tension are born in our bodies through
trauma. As we release those
areas of tension, the body remembers the trauma (although the mind may
not) and have a similar reaction (as it did at the origin), thus the
emotional release. The goal
seems to be freeing up as much of our breathing capacity as possible,
giving our instruments a wider range.
*The
two above classes seem to have close ties to Yoga, although there are
some fundamental differences. I
do not know enough to explain what those differences are, but they are
there.
Speech
is based on Edith Skinner’s work.
Pretty tedious work but necessary.
Focusing on muscle support of tongue, jaw and lip placements with
regards to the articulation of consonants and vowels.
Stage
Combat
is dealing primarily (this semester) with hand to hand combat. No
weapons yet. Focusing on
stage combat but not ignoring adjustments for the screen.
Hot
Movement
is primarily focused on dance, emphasizing centering and movement as an
actor by exposing us to such techniques as opposition.
And
finally,
Singing
is well, singing. Trying to
learn songs from the point of view as why these words are sung.
Combining the meaning of the words with their melodies.
That
is each class as they are… what happens from here on out is a mystery
to me. Kind of scary, kind
of exciting. Already some big challenges lie before me.
I am certain as I surmount one challenge (hopefully) there will
be yet another to take it’s place.
From the Chaos will come the Order.
I
hope to make consistent weekly, or monthly updates so you may all follow
my experience with this program. This
is not some narcissistic trip where I presume that everyone is
interested in what I’m doing, but perhaps my experiences may trigger
something in someone else that may inevitably cause a change. That’s
all.
Well,
enough for now. Feel free to
e-mail if there
are any questions.
October
14, 2004
In
only two weeks have things already begun to transform for me.
We went on a retreat, as a class. Our Williamson Technique
teacher, Jan Ley, organized this retreat.
The retreat took place in the
Adirondacks
on the property of Loyd Williamson, the creator of the Technique. So
that was interesting to work in the presence of him. While he did not
teach per se, it was interesting to hear the ideas of this type of work
from the horse’s mouth. Our
Voice Teacher, Heather Rasche also accompanied us, allowing us an
extended class in which she worked some exercises we would not be able
to do in class due to time restrictions.
The
following is from my journal I am required to keep for the Williamson
class:
RETREAT-October
7-10, 2004
Arrived late Thursday
evening…a beautiful place. Was
shown around, was nice to see people outside of class.
Woke up to an amazing splash of color in the window.
Only had about 5 hours of sleep but didn’t matter. It was
impossible for me to try to sleep after looking out the window.
Was invited for an early walk with Loyd Williamson (originator of
the technique). Was a crisp
morning, as well as interesting to get a first hand tour of the place.
Loyd is definitely an interesting character.
Met Christopher, our chef; a great guy.
Loyd put us to work…loved it…stacked wood, cut wood (avec
chain-saw), among other chores. Was
refreshing, reminded me of home. A
couple of the youths had an issue with the work…I told them it was
good for them. As we were finishing, everyone else arrived.
We had an introduction to the weekend with Jan and Loyd.
Heather showed up (again, nice to see her out of class). Did a
cool exercise by the lake - a
sort of 10” outdoors. Again, while I was very present, I was taken
back to a different time, I enjoyed it, and didn’t care that my mind
was filled with memory and thoughts.
Then the annoyances came in…not during the work, but when the
personalities manifested themselves.
My first thing was when several classmates started imposing their
ideas on Jan’s schedule. I.e The
Bonfire – there was a chance of rain on Saturday (the original time
for the bonfire) so several of them insisted that the Bonfire happen on
Friday (BEFORE WE REALLY DID ANYTHING!) I stated, softly I admit, that I
thought it was a bad idea as I was confident that the purpose of the
bonfire was to be that of more than making S’More’s.
Needless to say, the bonfire occurred on Friday…and it felt
disjointed and not connected to me as well as a few others.
Saturday, the big work day, was a mixed day for me…encountered
many barriers (smaller ones I think).
Started with Yoga, my first real Yoga class…I liked it…great
way to start the day…especially with the fruit salad being served to
us. Then we ate breakfast (another awesome meal). Had a little walk, did
some reading. Then we had a
movement class with Jan. In the class, Jan gave me an adjustment during
the “Adagio for Strings.” I had a pretty visceral response to the
music, so I was a bit thrown off by the adjustment.
Not that I was angry, but since I was so emotionally affected by
the music, I felt I was pretty free…well it just threw me
off…probably meant nothing. We the had lunch (all just say- another
fab meal…they all were, so I’m going to stop). We then had an
extended class with Heather. I
have to admit, the change of environment, plus the movement class
before…allowed me to be a little more free. We did a different
exercise, “Heather’s Wild Ride.” It was interesting…but Geo had
my head…well, that is all I’ll say about that…I’m not sure how
much I was able to release my neck. Then we had class with Loyd…interesting
points…when we got to actually work…hhmmm…I will just leave it at,
we did not have enough time to understand/observe the core of what he
was trying to teach us. At
least, I didn’t – but after talking to some others, I know I
wasn’t alone. Long day. Jan
apologetically made it clear that it was too late to do anything like
Bowling, or a night walk…but again, some people imposed their want
upon him, and he took them out. I
know he’s an adult…but he was clear that he was tired and well,
that’s enough there too.
Sunday had the same
structure as Saturday through lunch. I was definitely more open to
running outside that day…probably because I had become familiar with
it. Unfortunately, as the morning progressed, my mind was drifting
toward school-work, did my best to keep it at bay. I was getting
irritated as we basically sat around for an hour waiting for who
knows…and then the picture ‘event.” I mention it in retrospect
because we got laid up in some serious traffic on the way home. Again, I
became very focused on what I had to do for class the next morning, and
realizing I had very little time to bring it together.
I found myself reflecting
a lot on the retreat, While I didn’t have the “fun” that many MFA
2’s repeatedly told me I would have, I did have a meaningful
experience. I saw some thing
in myself – some I like, some I don’t. I know I’ll be thinking
back on the retreat for some time. Through reflection, I am confident
that my perception of what occurred there will continue to change.
My
observations since the retreat
have been many. As far as
the work, I do feel more free; while I still have far to go. Socially,
the annoyances I have toward some people in my class seem to have
“passed through” a threshold. I was able to take a step back, see my
behavior, and apologize. With that, came discussions (with those
involved) and we came to an understanding about who each one was, and
why, and what bothers us, etc. It
was nice to get past some petty shit, and accept one another, and move
on and work.
Acting Class continues to be challenging. You may have a great class one
day, then in the next class, have some block that just freezes you.
It Is as unpredictable as your moods.
November 3, 2004
Well,
now Hot movement and Voice are the hurdles for me these days.
We are beginning the “structuring” in Voice.
The first couple of months were dedicated to breaking down the
bad habit infused structure we all have (had)…now we are working on
rebuilding an apparatus that supports our breath, and therefore creating
a more resonant voice. Does that make sense?…I don’t know.
I’m still figuring it out.
Is pretty scary as what I knew before is literally being thrown
out. Starting over.
In movement, we had an assignment, several actually, that require
us to perform on our own telling a story with just movement and breath.
Scares the crap out of me. I
hate solo work. Put me up
there with someone else…I’m fine…I can make it about them (the
other person); unless I’m alone onstage within a context of a play
(story). You know?
Singing is unusually challenging…our teacher is trying to fuse
the monologue of the lyrics with the use of the melody.
I understand the concept, however his direction can be very
confusion, often contradicting himself within a single sentence.
“Speak the lyrics. Now, sing that word….no speak
it…”….I get very impatient.
Coming up with activities is particularly challenging…I find
myself worrying so much on whether the activity is sufficient, rather
than concentrating on the exercise itself.
No matter how well a class (or a day) goes, I find myself
immediately looking to the next class (or day) regarding what I need to
get done. Not a lot of time to revel in accomplishment; something I
didn’t do too much of anyway.
I’m finding myself really enjoying my private time.
I have class with the same eleven people for an average of 5 to 7
hours a day. Weekends (especially after the retreat) are very valuable
to me as I can do what I want, when I want.
For instance, the Halloween Party that everyone is going to, I do
not plan to attend. Not that I’m purposefully avoiding it…it’s
just not worth the effort that I could be spending that time on
home-work. Maybe it is the
benefit of age, or just stubbornness. I know this will come to and end
as 2nd semester approaches.
This week ended with the completion of two projects I dreaded.
They went OK I think…I certainly learned something.
Auditions are coming up soon…kinda nervous about that.
November 19, 2004
We
are now working with text in acting class. Although, not in a
traditional way. We are now combining scene-work with the repetition
exercises. In other words, whenever the “lines” escape me, I go into
repetition, unto the impulse propels me to say the next written line. I
can now understand why writers may not be completely thrilled with the
Meisner Technique as it has the capability undermine the written word.
Nevertheless, it’s kinda weird…I’ve always had the image of a wishbone
with regards to these exercises…your mind is literally pulled in two
opposite directions…Now, with text…it’s being pulled in about three or
four:
Supporting the text, taking everything in from your partner and
everything else…applying those impulses to the supplied text…adjusting
for your own impulse. I could go on…perhaps later…I feel like I’m
constantly repeating.
Movement has been a pain in this ass now as we are working in groups.
The upside is the power in numbers element: if you embarrass yourself,
you have about 5 other people up there with you. The downside: “Too
many chefs…” everyone has all these ideas, myself included…the time
deadline gets lost…I’ve said several times, “Let’s just decide on
something, folks, and get this thing done….we only have 15 minutes.” Or
something like that.
Stage Combat is fun. It’s pretty cool, actually. Our teacher, J.
Allen Suddeth is pretty much a big wig in this field. He is constantly
staging fights for shows on Broadway: the new August Wilson play, the
new Sam Shepard play, etc. He knows his stuff, backwards and forwards.
Flatteringly enough, he also is pleased with my work in the class…so
that’s cool.
A week has passed since I started this entry, the movement piece went
surprisingly well…a few notes, but overall, Michael Blake (our teacher)
enjoyed it…so that’s a load off.
Voice is on and off for me. The focus of the Fitzmaurice technique is
centered around breathing “from the ribs” and engaging the transversus
when you speak. Supposedly this is how the body naturally works when
you speak, however when a person is riddled with tension, the body
begins to work less efficiently. Releasing those tensions were discussed
before with all the “tremoring” we do. Anyway…now we’re at a point of
what Heather (our teacher) calls “conscious incompetence.” In other
words, we are aware how we are not speaking properly, using the
techniques described above. I am having difficulty with the transverses
part of the technique: my ribs move very well – I feel and see
them…however the transverses…which are pretty near the abdominals…is
still kind if vague for me to locate as I have a more muscular frame…so
I can’t tell if I’m engaging my transverses, or merely flexing the abs.
I sound like I’m doing it, but I can’t quite feel it; Heather wants us
to be physically aware of the process, so we can control it more
successfully (I think?). So that’s a challenge.
Can’t wait for the Thanksgiving Break! God, then only 2 more weeks,
than the 1st Semester is finished! Can’t believe it!
November 23,
2004
It’s weird
being back on a college/campus environment, especially being older than
most of my classmates, as several of them are here directly from
undergraduate studies. Quite often, the idea of a good time means going
to someone’s house, or the local watering hole (a pit called “Doll’s
House”) and getting shit-faced while trying to “hook-up.” The 2nd
and 3rd years preying on the new 1’s as most of them are
innately enamored with the upperclassmen. No longer my cup of tea.
In addition
to all that, fewer than I expected have moderate acting experience;
really there is only one who actually probably has more experience than
I do (he would probably say I have more than him…one of those
situations, you know?). I do not mean to imply that I have this wealth
of experience that all should aspire towards. Quite the contrary, I
just wasn’t prepared to be among those with the most experience (this
includes many of the 2nd and 3rd years as well).
There is ”newness” among most that I am not apart of. I’m not
complaining mind you, as this “newness” comes with it, I believe, a
naivety. All this brings me to my point: as of this time I do not have
a lot in common with many of these people. What I mean, the only thing
we do have in common is the program, and frankly, after working 40-50
hours a week with the same people, the last thing I wish to talk about
is the last 40-50 we just spent together. Since that tends to be the
topic of conversation 8 times out of 10, I just keep to myself on the
down time. Lest I sound like an arrogant, condescending asshole, I use
that time to get the work done. You see, there is another element here:
next semester we will be cast in shows. Then the dynamic will really
change, as we will be exposed to the 2nd and 3rd
years in an actual, working environment.
December
15, 2004
1st
Semester is DONE! I can’t believe it. While I am pretty excited to
have a substantial break, I am pensive about the upcoming semester.
The vacation is over, sort to speak. We will be in shows, and you
know the workload will increase. I
believe things went very well, despite my chronic problem of believing
everything I do is crap. The feedback I’ve received has consistently
been positive. So…whatever that means.
I am anxious to work on a show. Auditions have been going on for
the past 3 weeks. The 1st audition (the general) was weird.
Actually they all were; primarily because afterwards we are among
all of the people we for whom we auditioned. Out there, I was used to
having an audition, then being able to forget about it, as you
wouldn’t see anyone afterwards. Here, you have class with many of the
people who just saw you audition…. weird.
Another thing, one audition, we actually brought in props and
like, totally blocked this cold-read as a scene…it felt awful.
Didn’t like it. That’s
another thing, the “call-backs” consist of the actors being
paired-up with someone else who is auditioning and act out a scene.
Lot
’s of new adjustments.
December 21, 2004
Just came out of evaluations: Went very well!… as well as one
can hope, anyway. Great
feedback. Which is great! Nice
to know I’m on the right track. AND
I’ve been cast in a major part in a difficult play; a pretty big
compliment as I’m only a first year. There seems to be lot’s of
potential for me in the future. Can go either way.
My teachers agree that I have a good attitude, and work
hard…coupled with ability, I just have to keep it up.
Am trepidatious towards the next semester.
This semester has been the calm before the storm.
Hoping I’ll be able to cope and do well in classes as well as
shows.
I don’t seem to be able to function unless I give myself
something to worry about. So I’m giving myself plenty.
Well,
anyway….HAPPY HOLIDAYS!
December
28, 2004
So, what have I learned so far?
Well, one thing I know for sure is that we learned very little about
acting. I do not mean that as a criticism, just a fact about how the
program is designed. This past semester was about impulse: being aware
of it, acknowledging it, and allowing yourself to follow it.
Like I said, this past semester has had little to do with the
actual technique of “acting.” However, the fundamentals being taught
at this point are vital components of acting, they do not make up the
whole of acting. Now that we are heading into working on actual
shows…it will be interesting to see who can apply what is learned in
class, and who cannot. I do not mean to make this sound like some big
competition, but let’s face it…it is.
Classes like the Fitzmaurice Voice work, and the Williamson
Movement Technique all center around the following of one’s natural
impulse to govern one’s acting. These techniques train the actor to
obtain an awareness of things that are all around us towards which we
normally would not pay attention; i.e our breath, our environment, how
we feel at that moment. In other words, these techniques take the
Meisner work a step or two further towards taking nothing for granted.
So far? I used to have
a bad habit of “planning”
things with regards to my acting. It
still occurs a bit…but not as much.
I also am able to let things go more than I used to.
Trust my instincts, you know?
Next semester?…Miles to go
before I sleep…miles to go before I sleep.
HAPPY NEW YEAR!
January
25, 2005
Well,
we’re back. I can’t
believe we’re in the 2nd semester already.
I have been cast in a play called, “Claw.” It is a dramatic
piece by Howard Barker. I have a pretty juicy part, which is pretty cool
being a 1st year. Beat out a lot of people. The cool thing is
we started rehearsing a week before classes started.
I am completely off-book. Already which is great as I con focus
more on my schoolwork. Took
me a couple of days to get back into a “groove.” Was a bit depressed
about the new semester…probably just anxiety. But things have been
easing back into things.
The
break was good…a working vacation: with my mother’s broken ankle, I
became a bit of a parent. I
cleaned the whole house, I COOKED CHRISTMAS DINNER! That was weird. I
was happy to do it, but it put things in perspective.
Classes
have started, not as traumatic as I expected…teachers are easing us
back into things. I feel
fortunate that the show I’m in will be finished by February 13,leaving
plenty of time to keep up with the schoolwork.
The
2005 blizzard has hit…wow! I forgot about this kind of
snow…haven’t dealt with this in about 10 years!
Weird…still had rehearsal, whilst the State of
New Jersey
is in a “State of
Emergency
.” Was a bit annoyed, but all’s good.
We needed the rehearsal. A big endeavor there, I hope we can pull
it off.
Had
class despite the roads and parking lots being abysmal.
What we must suffer through for our art.
Had
my private session with Jan. Worked
on my alignment…which ended up not being too bad. I am able to
resonate my voice throughout my body, BUT NOT ALWAYS. But it’s nice to
know that it isn’t some abstract concept.
I CAN do it, now I just need to be able to do it during
heightened circumstances.
Dance
class is moving toward more dance… our warm-up is becoming more
intricate and intense…a nice challenge.
As
before, taking things day-by day. I feel lucky that I’m in an earlier
show. When the demands of
the semester really kicks in I’ll be able to focus more on classes,
which is nice.
February
6, 2005
Getting
ready to open “Claw.” Am a bit nervous as I just saw, “We Won’t
Pay! We Won’t Pay!” by Dario Fo in the New Theatre.
What a great show…really! Great
writing, great directioin, wonderful performances, a perfect
combination. Of course, “Claw” is a very different show. However I
can’t help but feel a little intimidated.
We’re
“teching” now…seeing/feeling the pieces fit together is helping my
attitude…getting a sense of “the show” and my part in it.
For me, I always am able to kick in something more when costumes
and make-up are added (Michole liked my old age ideas for Act III…very
happy about that). Not to get too self-congratulatory, but it feels like
my Biledew is coming together quite nicely.
The head of the Directing Department, Amy Saltz, gave me a nice
compliment when she saw our last run-through…listening, not screaming,
etc. Very flattered.
Furthermore, most of my notes now are tweaking stuff. A nice bit of encouragement.
Rico
(my friend in my class, who is my age) got cast as Torvald in “A
Doll’s House.” I am very
happy for him…I am, of course, a little jealous too.
No harm…he wanted my part, I wanted his…funny.
Wish him well.
Keeping
up with classes…seemingly. Movement (Dance) is giving me a bit of
trouble. Michael is pushing me, which is great.
I am psyching myself out, I think.
I am not a dancer, however, I’ve had some previous experience
from the Academy. I think my
muscle-memory has perhaps deceived him in thinking I am capable of more
than I feel I am. Perhaps the perception issue is more mine than his.
Anyway…we engage in little spats, and I must remove my
pride…a tough chore, but am working on it. Other than that things are
moving along. We’re about
a month away from Spring Break. Jesus! The last time I gave a shit about
Spring break was almost 10 years! Wow.
Well,
we’ll see how the show comes off.
February
18, 2005
Well,
“Claw” has come and gone. Mixed reception I think, but no surprises.
The material is dense and a lot for and audience to take in, let
alone an audience mostly comprised of students.
I get the impression that my first impression (as an actor) was favorable.
Did
just have an audition for one of the One-Acts, to be directed by the
Directors in our class. While
I would enjoy the easier scheduled (afforded by NOT being cast), I think
I would have fun in this part (Mike, “Fifth Planet”).
But I do believe that the casting priority will go to one who has
not been cast in a significant role yet.
Now
that classes are my primary focus (for now) I am amazed at how I am able
to utilize my time. This
semester is quite a different pace, must be much more focused, you know?
The
Movement (Dance) class has gotten interesting. As stated before, I felt
a tension between my teacher (Michael Blake) and I.
I have since figured out two things:
It is not all directed towards me, and he sees I am working hard
and at a high level. Learning
both has helped me not psych myself out, and work to keep improving.
Furthermore, this semester is much more dance-oriented which is
seemingly going better for. Still
VERY challenging, but my previous work at the Academy is helping me get
things quicker…that crazy muscle-memory! Wild.
Of
course, Williamson Technique Movement remains to be a challenge.
Anything that abstract is a big hurdle for me…a la Voice (Fitzmaurice).
We
have more callbacks for a couple of One-Acts …anxious to see what
comes of that. A number of
people in our, and other classes have not been cast yet (or at least
significantly), so we’ll see how that goes.
March 6, 2005
Well, I was cast in another show, “5th Planet.”
A really nice one-act…written by David Auburn, who wrote
“Proof.” I’m pretty
excited, as well as flattered as this was a role a lot of people wanted,
plus I now have been cast in two shows this semester with major roles.
Furthermore, the play is a little more accessible than “Claw”
so I feel better about inviting my family to it….something I think
they’ll enjoy…seeing me in action, and the first time for my
brother, who has never seen me act.
I like the idea of that.
Classes
are kicking in….trying to stay up to date with all of that.
Voice and Speech final presentations are being talked about more,
the Cabaret for Singing, the play, etc…a lot of work being
expected…not that I’m surprised…just trying to keep things in
perspective, prioritize so I do not become overwhelmed, you know.
Found love in my life….no names, but it is wonderful…haven’t
had that in a long, long time, Not
only is that just a nice thing to have in my life, but also, she is an
incredible person: among a few who are more beautiful on the inside,
than the outside. That may
not sound like much, however, this woman is GEORGEOUS! So it IS saying a
lot.
Guess
that’s it for now…One day at a time.
March 26, 2005
“5th
Planet” is up…so far it seems to be very well received. Audiences
seem to really enjoy it…which is, of course, great! It is a beast
however; it is a one-act play…about an hour long in duration…44
scenes! Half the play is
remembering what comes next. Will’s
direction (Pellegrini) is focused, with a light touch, which I think
achieves a lovely balance, and the audience seems more than happy to go
with. The top of the show is
pretty pithy and comic, but as the show moves on, we get into the guts
of it…witnessing a relationship develop between two strangers, who
could not be more different.
Plus,
I’m happy to have the opportunity to have audiences see me in
something that contrasts the production of “Claw.”
Several
of my teachers have seen it and have been very pleased.
Deborah (Hedwall) came, and was thrilled with both Stacie (Lents)
and myself. It’s great to receive that kind of feedback (and praise)
from your teachers. Amy Saltz (the head of the Directing Department) was
very pleased with Will’s direction.
I am very happy for him. They had a great time from the moment
the play started.
We
are coming into the home stretch of the year. I can’t believe it!
We have 5 more weeks…God how time flies! Of course, a lot of
final projects are being assigned. What’s
fortunate for me…is I will be finished with shows so I can concentrate
on nothing but schoolwork. I
am pleased about that.
In
acting, Deborah has assigned what’s called the “3 and 3’s.”
An exercise that consists of the person in the room having 3
activities, with meaning, directly associated to whom they are
expecting. While outside the door, the person enters with 3 separate
full-emotional preps. Obviously they are not done all at once…but you
do one…then Deborah calls it, then you get ready for the next one.
Pretty grueling, yet challenging.
This past Monday, my partner was working with someone else, so I
didn’t have anyone with whom to work…so I had a “bye.” Or so I
thought. At the end, Deborah
looked at me and asked me to go out and make 3 full entrances…What
could I do? Say “No thank you?”
So
I went out and I did it. It
was crazy….1st, I never really know if I do well or what,
but she seemed to appreciate the work.
In addition to that, during my 2nd entrance, she had
someone go out and knock on the door (she has done this to me 3 times
now…kinda cool, actually). I
was scared when she first asked me to go up…but afterwards, was
grateful. It is amazing what
can happen when you just dive in. I
appreciate how I am constantly being challenged in the program.
I know there are times when I resent it…but ultimately it all
improves my work.
May 13, 2005
Well,
1st Year is finished! I cannot believe it.
The last six weeks have been pretty intense, finals, you know?
Stage combat we had a final presentation which lead to our being
certified by the Society of American Fight Directors…pretty cool, oh I
was awarded the Examiners Award for Excellence in Unarmed Stage
combat…again, pretty cool.
We
had our movement finals:
For
Michael Blake we choreographed a piece, combined it with another
students piece, then added it to music…worked with June…we did well.
He liked it a lot.
For
Jan, we had what was called the “Drunk Salon.”
We had been working on playing drunk for a few weeks, and our
final consisted of our participating in an “Office Party” in which
we all were drunk (playing drunk I should say).
We create a character name and Bio that we committed to memory (I
was Holden Caufield II) and for a while, that was our dialogue for about
half the exercise, then we were permitted to break free of that, and go
into true improv, while being more drunk.
Essentially we all were to arrive with a goal (what we wanted to
accomplish at this party (i.e. get a promotion, sleep with someone, get
someone else fired, etc), and the party would then be this 2 hour
improvisational exercise. Kinda
weird, but went well…I got fired.
Our Voice and Speech finals were a bit arduous as we had three
teachers (count them, 3!) working on a Shakespearian Sonnet of our
choosing. That’s right, 3
teachers coaching us on 14 lines of verse…uuugh! Difficult to say the
least. “Too many chefs…”? But all things considered, all was fine.
Our
singing final ended with a Cabaret, which went off surprisingly well.
All seemed to really enjoy it, and our teacher, John
O’Neill was very please how well it came together.
We were like a bunch of fifth graders in need of supervision as
the Cabaret occurred after our other finals.
Needless
to say, I got four “A’s”, one “B+” and a “B”…better than
I thought I’d do, but awesome to say the least.
Met with Deborah, Amy (Saltz, head of Directing), and Heather.
Was a glowing evaluation and encouraged me to go further.
Was not surprised that Speech was my lowest grade…I know I did
not prioritize that class, let alone the sonnet.
With
all that, we lost 2 classmates (3 altogether as we lost one earlier in
the semester). Kinda rough.
So now we are 9 Acting students, 1 Director….more personal
attention…which is good. We
are officially the smallest class at Mason Gross.
Christopher Halladay
www.christopherhalladay.com
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